Trylove

Episode 403: SUSPIRIA (1977) with Velma Rent

SUSPIRIA is cooking — A BIG CAULDRON OF INNOCENT BALLET GIRLS, that is! You’ve never seen anything like Dario Argento’s 1977 giallo classic… and yet, it’s so immediately evocative that Luca Guadagnino’s 2018 spiritual remake had no choice but to go a different direction with its visuals. You simply can’t outdo what SUSPIRIA is doing! With Velma Rent, Trylon board member and longtime volunteer, we’re hopping into the razor wire pile that is this movie’s legacy (without looking)! We get into the feminism, the Roman Empire, the inimitable style, Jessica Harper’s ‘made-for-horror’ expressivity, and more. Turns out there’s a VERY GOOD REASON why they’re all talking like that! Find Velma… On Letterboxd at https://letterboxd.com/jokerslaughter/ On Instagram at https://www.instagram.com/jokerslaughter/ References: “Suspiria’s Score is One of Horror’s Scariest Characters” by Lucille Hanson for Perisphere, the Trylon blog: https://www.perisphere.org/2026/09/27/suspirias-score-is-one-of-horrors-scariest-characters/ “Dario Argento on His Macabre Masterpiece, Suspiria” by Ben Cobb for Another Man Magazine (March 2018): https://www.anothermanmag.com/life-culture/10256/dario-argento-on-his-macabre-masterpiece-suspiria Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! #EvilIncantations #DCP Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Main Theme” by Goblin from the SUSPIRIA soundtrack. Timestamps 0:00 - Episode 403: SUSPIRIA (1977) with Velma Rent 2:45 - Whadja Watch This Week? 28:00 - The Patented Aaron Grossman Summary 29:15 - The dreamlike storybook quality 43:42 - Suzy and the rich tradition of making women fit certain archetypes 52:39 - The Roman Empire and cultures that stratify on top of one another 59:40 - Coming of age, casting children, and shaping women’s bodies 1:09:30 - The overwhelming visuals 1:16:46 - The maddening soundtrack 1:22:15 - Who if anyone “deserves” their fate 1:38:27 - The Junk Drawer 1:46:39 - Cody’s Noteys: Goblove (goblin trivia)

Episode 402: JE TU IL ELLE (1974)

“Foolhardy.” That’s how director Chantal Akerman described her 1974 film JE TU IL ELLE, which she also wrote and starred in. Her partially autobiographical character drifts at an emotional distance from herself, rearranging her room and binge eating and drafting letters to lost love, for the first 30 minutes. On paper, it sounds pretty flat. Those extended scenes of mundanity are punctuated by listless narration and a couple precious human interactions. Her hookup with a random trucker and her return to a former lover give the story structure, but they also give us a window into the young woman’s emotional state that her own voiceover narration tends to elide. For a couple of us, JE TU IL ELLE (“I, YOU, HE, SHE”) is the first time we’ve discussed Akerman. It’s as exploratory and halting and caveat-ridden as you’d imagine, but honestly, on this episode of Trylove, these four straight white guys talk not completely stupidly about this groundbreaking work of queer feminist filmmaking. References: “Impulsive Desires and Getting Personal” by Lucille Hanson for Perisphere, the Trylon blog: https://www.perisphere.org/2026/09/20/impulsive-desires-and-getting-personal/ “Down, Out, & Paradise: Chantal Akerman’s Tricky Triptych Je Tu Il Elle ” by Chris Polley for Perisphere, the Trylon blog: https://www.perisphere.org/2026/09/20/down-out-paradise-chantal-akermans-tricky-triptych-je-tu-il-elle/ “Je tu il elle” by Tamara Tracz for Senses of Cinema (May 2013): https://www.sensesofcinema.com/2013/cteq/je-tu-il-elle/ “Chantal Akerman: The Pajama Interview” by Nicole Brenez for Lola Journal (2011): http://www.lolajournal.com/2/pajama.html Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! #TakingTheScenicRoute #DCP Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Nous n'irons plus au bois" as heard in JE TU IL ELLE. Timestamps 0:00 - Episode 402: JE TU IL ELLE (1974) 2:38 - Whadja Watch This Week? 22:44 - The Patented Aaron Grossman Summary 25:24 - Chantal Akerman and the first act of the movie 35:10 - The “superstructure” and how the acts fit together 44:57 - Mundanity and distortions of modern home life 55:05 - Virginia Woolf and distance from yourself 1:01:12 - Is it worth asking “why” things happen in this movie? 1:08:58 - The final act sex scene 1:24:15 - The Junk Drawer 1:28:19 - Cody’s Noteys: Co Dy’s No Teys (collaborative competitive games)

Episode 401: THE LONG DAY CLOSES (1992) with Abbie Phelps

The wistful, self-aware reflections highlighted in movies like THE LONG DAY CLOSES earned Terence Davies the unique moniker of ‘cinematic poet’. He grew up Catholic, discovered his queerness young, and came of age during British postwar austerity, but it’s not so much about his upbringing as it is about his recollection of his upbringing. It makes sense when you watch it. Abbie Phelps designed the delightful poster that promoted a short Terence Davies series at the Trylon, and she also happens to love this movie, so we’ve welcomed her back to the show to dig into what makes it special, what ‘cinematic poetry’ actually means, the power of music in communicating memory, and what people misunderstand about THE LONG DAY CLOSES! Find Abbie… On Bluesky at https://bsky.app/abbiememorydoll.bsky.social On Letterboxd at https://letterboxd.com/goodhunterabbie/ On Trylove episodes about DRIVE ANGRY (2011), WAR OF THE WORLDS (2005), THE BLAIR WITCH PROJECT (1999), TOUCH OF EVIL (1958), THE TRAIN (1964), MOULIN ROUGE! (2001), PHANTOM THREAD (2017), STAR WARS (1977) (with Natalie Marlin), THE INSIDER (1999) References: Buy the poster Abbie designed for “Terence Davies, Cinema’s Greatest Poet” at the Trylon (Sept. 2026): https://ko-fi.com/s/a9b4005fd4 “Mark Kermode on… the revered British director Terence Davies: ‘He had to fight to get every film made’” (Nov. 2023) https://www.theguardian.com/film/2023/nov/04/mark-kermode-on-the-revered-british-director-terence-davies-he-had-to-fight-to-get-every-film-made-distant-voices-still-lives-benediction-the-long-day-closes “Coming of Age in Pittsburgh: To Fashion a Text” by Annie Dillard (The Wilson Quarterly Volume 12, Issue 1 Winter 1988) https://wilsonquarterly-legacy-attachments.s3.amazonaws.com/full-issues/new-year-1.pdf “Hopes For Paradise: Terrence Davies and The Long Day Closes” by Rich Woodall for The Quietus (May 2022): https://thequietus.com/culture/film/film-terrence-davies-long-day-closes-30-anniversary/ Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! #TerenceDaviesCinemasGreatestPoet #DCP Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Tammy" written by Jay Livingston and Ray Evans, orchestrated by Joseph Gershenson, and sung by Debbie Reynolds as heard on the THE LONG DAY CLOSES soundtrack. Timestamps 0:00 - Episode 401: THE LONG DAY CLOSES (1992) with Abbie Phelps 2:26 - A question about Halloween 5:34 - Whadja Watch This Week? 28:05 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 29:28 - Abbie’s poster for the Trylon’s Terence Davies series 33:29 - Terence Davies, an all-too-brief and all-too-shallow overview 36:17 - What ‘cinematic poetry’ and ‘pure cinema’ mean in relation to Terence Davies 39:44 - A journey through time, space, and memory 46:40 - The memories you find yourself drifting to 51:50 - What most people get wrong about THE LONG DAY CLOSES 58:48 - How Davies layers recollection and reflection on screen 1:03:06 - The “vivid” decay of memory 1:12:18 - Davies’s use of music in this part of his oeuvre 1:22:07 - A phantom of World War II 1:30:19 - The “Tammy” scene 1:35:09 - The Junk Drawer 1:43:52 - Cody’s Noteys: A Noteys Sampler Platter (multiple themes/types of Q\&A trivia)

Episode 400: THE 400th EPISODE (2026)

Seven years, eight months, and eight days ago, we published the first episode of Trylove. It was about François Truffaut’s THE 400 BLOWS (1959), the critic-turned-director’s debut film and a monument of the French New Wave. We joked about doing it again for episode 400 of the show. Well, References: Trylove Episode 1: THE 400 BLOWS (1959) Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Les 400 Coups (Version Instrumentale)” by Jean Constantin from the THE 400 BLOWS soundtrack. Timestamps 0:00 - Episode 400: THE 400th EPISODE (2026) 2:01 - Whadja Watch This Week? 21:29 - Favorite memories from 400 episodes 45:11 - The Patented Aaron Grossman Summary 48:07 - Motion City Soundtrack and the Trylove lore behind THE 400 BLOWS 59:34 - The assumptions you make about Antoine in the absence of explanation 1:10:49 - Why Jason doesn’t like THE 400 BLOWS 1:20:08 - René, the other kids, the parents, and the world around Antoine 1:39:07 - Reconciling Antoine with Truffaut 1:49:41 - Antoine's struggle against systems of power 1:54:58 - What Truffaut turned Antoine into in later movies 2:13:47 - To All the Loves We’ve Tried Before: 1959 2:15:34 - Cody’s Noteys: Gratin Tomatoes (darts rules but with RottenTomatoes scores)

Episode 204: IT HAPPENED ONE NIGHT (1934) with Seth Zarate (Republish)

Returning guest Seth Zarate grabs his trumpet to …

Episode 399: PSYCHO III (1986) with Kelly Krantz

Sequels tend to suck, but not this one! PSYCHO series star Anthony Perkins had the reins of the third entry, and BOY did he use ‘em. While PSYCHO III does little to upset the apple cart of the series — Norman Bates is dodging suspicion for another murder, another precocious blonde rents a room at the Bates Motel — it’s got a certain gaudy, beautiful ‘80s sleaze that opens a couple interesting pathways for our intrepid Oedipus. And who better to discuss all that than Kelly Krantz, noted Perkins stan and sleaze fanatic? Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis Find Kelly… On Bluesky at @kransekage.bsky.social On Letterboxd at @luckyhoss On Twitter at @kransekage_ On Trylove episodes: WINGS OF DESIRE (1987), ARREBATO (1979), PHANTOM OF THE PARADISE (1974), REVOLVER (1973), THE DOOM GENERATION (1995), THE NIGHT PORTER (1974), REMEMBER MY NAME (1978), PLAY IT AS IT LAYS (1972), OUTLAND (1981), BASIC INSTINCT (1992), THIEF (1981), HEAT (1995) References: Trylove Episode 142: Horrorthon V: Son of Horrorthon with Seth Zarate (in which we discussed PSYCHO II (1983) Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ #VolunteerProgramming #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Scream of Love (Movie Version)” by Carter Burwell from the PSYCHO III soundtrack. Timestamps 0:00 - Episode 399: PSYCHO III (1986) with Kelly Krantz 2:04 - Whadja Watch This Week? 27:41 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 32:31 - PSYCHO III in the context of Anthony Perkins’s fascinating life 39:25 - Anthony Perkins had the directing juice 52:43 - A distinctly mischievous movie 1:00:58 - How the characters color the tone of the movie 1:09:03 - Duke, the devil on Norman’s shoulder 1:13:44 - Carter Burwell’s sleazy score and everyone’s obsession with sex 1:27:19 - The ending 1:31:32 - The Junk Drawer 1:37:42 - Cody’s Noteys: 2 Films, 2 Curious (trivia about directors with two films under their belt)

Episode 398: EL FANTASMA DEL CONVENTO (1934)

Alfonso covets Cristina, the wife of his friend Eduardo, and she enjoys the attention. The trio’s sudden stranding at a monastery full of silent monks only hones their illicit affection… And hastens the return of a lustful monk whose sin cursed him to haunt the monastery forever! Unknown numbers of movies were lost in the early years of Mexico’s film industry, especially before the country’s cinematic Golden Age in the 1940s and 1950s. But a growing number of them have been rediscovered, restored, and rereleased by Permanencia Voluntaria — and they include Fernando de Fuentes’s EL FANTASMA DEL CONVENTO (THE PHANTOM OF THE MONASTERY), a subversive Gothic horror from that weird post-revolution, pre-war gap. It’s kind of a thin movie on the face of it, but in this discussion, we pull a lot from it. There’s Mexico’s growing prominence on the world stage, economic favor from the US during World War II, Catholic guilt, and a movie industry reflecting how a nation charted an unknown future. Check it out! Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: Watch EL FANTASMA DEL CONVENTO on the Internet Archive: https://archive.org/details/el-fantasma-del-convento-1934-spanish Permanencia Voluntaria: https://mxfilmarchive.com/ Archives On Screen: https://archivesonscreen.org/ “Lust Souls: The Phantom of the Monastery” by Salvador Carrasco for Senses of Cinema (August 2025): https://www.sensesofcinema.com/2025/cteq/lust-souls-the-phantom-of-the-monastery/ “Hollywood's Rogue Neighbor: The Argentine Film Industry during the Good Neighbor Policy, 1939-1945” by Tamara L. Falicov https://www.jstor.org/stable/4491220 Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ #FantasmasyLuchadoras #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Tierra Mestiza” by Los Folkloristas from the EL NORTE soundtrack. Timestamps 0:00 - Episode 398: EL FANTASMA DEL CONVENTO (1934) 1:43 - Whadja Watch This Week? 17:05 - The Patented Aaron Grossman Summary 20:22 - Some important context on early 20th century Mexican film 24:39 - Gothic fiction and the fantastical elements of Mexican art 41:20 - The pacing and structure (it’s too long) 48:08 - How the monastery starts changing our protagonists 1:06:24 - How it brings you into the story and character dynamics 1:15:57 - The Junk Drawer 1:19:56 - To All the Loves We’ve Tried Before: 1934 1:21:42 - Cody’s Noteys: The Phantom of the Indicator (trivia about Trylove films released through Powerhouse Films’s Indicator label)

• Transcript

Episode 397: EL NORTE (1983)

After being forced from their home, two Guatemalan refugees have no choice but to flee north. Lured by the sheen of capitalist excess in the pages of Good Housekeeping, siblings Rosa and Enrique make the dangerous trek across the US/Mexico border, only to find the dream lives they were promised are nearly impossible for people like them to achieve. EL NORTE director Gregory Nava traveled to Minneapolis in August 2026 for special screenings of the 4K remaster at the Trylon. Several screenings included introductions and Q\&A sessions of his breakout film, bringing it back into the spotlight as it finds new relevance amid the punishing immigration crackdown of Operation Metro Surge and other ICE operations across the nation. Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: “Journeys North” by Luis Lopez for Perisphere, the Trylon blog: https://www.perisphere.org/2026/08/14/journeys-north/ Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ #OtherProgramming #4K Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Tierra Mestiza” by Los Folkloristas from the EL NORTE soundtrack. Timestamps 00:00 - Episode 397: EL NORTE (1983) 2:12 - Whadja Watch This Week? 20:42 - The Patented Aaron Grossman Summary 23:31 - Seeing EL NORTE with a Q\&A by director Gregory Nava 29:07 - The editing and visual flow 49:57 - The shift out of the first act and into hell 57:37 - Empathy and persuasion 1:01:21 - How Rosa and Enrique have to change to fit in in Los Angeles 1:11:14 - The ending and what Enrique takes with him into his life in America 1:30:47 - The Junk Drawer 1:43:39 - To All the Loves We’ve Tried Before: 1983 1:45:41 - Cody’s Noteys: El Formate (trivia about the first films released on various film formats)

Episode 396: THE HOLE (1998)

There’s a hole in the floor of an apartment in Taipei. It’s an absolute mess for the occupant and his downstairs neighbor. Though they’ve never really met, they discover each other through their awkward circumstance, with each episode inspiring irritation, which turns into hatred, which turns into… Well, you’ll have to see the movie. Tsai Ming-liang wrote and directed THE HOLE as an experiment, bringing his vision of the year 2000 to the screen. Instead of going sci-fi or hard dystopian, it depicts a society where people live so close, and in such harsh conditions, that they can’t even yearn properly. Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: “A Sentimental Journey Through the Films of Tsai Ming Liang” by Cole Seidl for Perisphere, the Trylon blog: https://www.perisphere.org/2026/08/07/a-sentimental-journey-through-the-films-of-tsai-ming-liang/ “An interview with Tsai Ming-liang, director of The Hole” by David Walsh for World Socialist Web Site (October 7, 1998): https://www.wsws.org/en/articles/1998/10/tsai-o07.html “‘Haunted’ Taipei residential building to be demolished and replaced｜Taiwan News” by Formosa News (民視英語新聞) (June 4, 2024): https://www.youtube.com/watch?v=FfFoYOrAAo4 Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ #OtherProgramming #35mm Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Oh! Calypso” performed by Grace Chang from the THE HOLE soundtrack. Timestamps 0:00 - Episode 396: THE HOLE (1998) 2:15 - Whadja Watch This Week? 14:44 - The Patented Aaron Grossman Summary 17:12 - A movie about the 2000s 24:45 - The dramatic, comedic, absurd mood 26:32 - Water, disease, disenfranchisement, and the slow decay of gravity 34:20 - The human need for solitude vs. the human desire for connection 41:16 - The surprising musical numbers 49:45 - The reuse of actors, characters, and settings in Tsai Ming-liang films 54:39 - Why he leg through hole? 57:23 - Xining Public Housing, the actual ‘haunted’ apartment building 1:04:46 - The consummative, but not necessarily victorious, ending 1:12:47 - The Junk Drawer 1:18:09 - To All the Loves We’ve Tried Before: 1998

• Transcript

Episode 395: STREETWISE (1984)

With STREETWISE, director Martin Bell, producer Cheryl McCall, and photographer Mary Ellen Mark created a singular documentary, one that gave voice to Seattle’s street children, rather than pumping in a ton of voiceover and context. The fact is that Seattle was hit pretty hard in the 1970s, with unemployment reaching as high as 13% in the early ‘80s (three times the national average) and weakening labor power driving more and more people out on the street. Gen X was barely coming of age when many of them saw the lives their hippie parents led — one where post-World War II affluence afforded them a safety net while they railed against ‘the Man’ — and rejected it wholesale, often choosing a life on the streets instead of falling in line. The affected youths in STREETWISE are cynical, strong-willed, wise well beyond their years, and, in an uncomfortable way, wildly entertaining. It’s impossible not to empathize, even though our perspective is inherently voyeuristic. Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: "Streets of the Lost: Runaway Kids eke out a mean life in Seattle" by Cheryl McCall and Mary Ellen Mark for LIFE magazine, July 1983: https://www.maryellenmark.com/bibliography/magazines/article/life/streets-of-the-lost/L Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ #GimmeShelter #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Take Care Of All My Children" by Tom Waits from the STREETWISE soundtrack. Timestamps coming soon

• Transcript

Episode 394: COOLEY HIGH (1975)

With COOLEY HIGH, screenwriter Eric Monte and director Michael Schultz put the experiences that defined their youth on the screen. Preach (Glynn Turman) and Cochise (Lawrence Hilton-Jacobs) are fast friends and comrades in Chicago’s notorious Cabrini-Green housing projects. Like Monte and Schultz, they spend their days rabble-rousing, chasing girls, losing friends to senseless violence, and the unfairness and inequality that defined the African-American experience in the 1960s. Beyond its box office success, COOLEY HIGH inspired a generation of artists to share stories that balanced compelling drama with the real issues facing black Americans for decades to come. Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: “Cooley High Harmonies” by Matthew Tchepikova-Treon for Perisphere, the Trylon blog: https://www.perisphere.org/2026/07/26/cooley-high-harmonies/ “‘Cooley High’: Surprises on Set” (The Oscars): https://www.youtube.com/watch?v=cjzihAntUVY “One Spark Of Joy In Cooley High Character’s Life Snuffed By Bullets” (Jet, Oct. 21, 1976): https://books.google.com/books?id=9UIDAAAAMBAJ&dq=cooley+high&pg=PA28#v=onepage&q=cooley%20high&f=false Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ #LawrenceHilton-Jacobs #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "It’s So Hard to Say Goodbye to Yesterday" written by Freddie Perren and Christine Yarian and performed by G.C. Cameron from the COOLEY HIGH soundtrack. Timestamps 0:00 - Episode 394: COOLEY HIGH (1975) 3:15 - Whadja Watch This Week? 26:19 - The Patented Aaron Grossman Summary 28:15 - The 'hangout movie'/'issues movie' dichotomy 53:44 - The ‘authentic’ filming style 57:23 - Mr. Mason 1:08:16 - Chicago’s Cabrini-Green housing projects 1:14:28 - Lawrence Hilton-Jacobs as Cochise 1:17:22 - Costuming 1:20:47 - The Junk Drawer 1:28:45 - To All the Loves We’ve Tried Before: 1975 1:30:02 - Cody’s Noteys: The Movie Draft: — Criterion Collection

Episode 393: F FOR FAKE (1973) with Tony Wagner

We’re no strangers to Orson Welles on this here podcast… Or are we? Welles first-timer* Tony Wagner returns for a doozy documentary/film/essay from the inimitable auteur himself! Orson Welles was hired to direct a documentary his friend had filmed on an art forger. But Welles, mired in the endless production of what would become his posthumous THE OTHER SIDE OF THE WIND (2018), couldn’t let it go there. His version expands the scope to include the forger’s biographer, the forger’s biographer’s forgeries, Howard Hughes, and a large-scale interrogation “about trickery, fraud, and lies.” With Tony, we’re giving F FOR FAKE the T for Trylove treatment, discussing the criticism of art criticism on display, whether or not it’s possible to REALLY criticize this movie, its similarities to YouTube essay culture, and more. *Tony has seen TRANSFORMERS: THE MOVIE (1986). Find Tony… On Twitter at @tonydwagner On Letterboxd at @tonydwagner On Trylove episodes about ROGUE ONE: A STAR WARS STORY (2016), THE KEEP (1983) Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: Trylove episodes on THE TRIAL (1962), TOUCH OF EVIL (1958) with Abbie Phelps, and EXTREME PRIVATE EROS: LOVE SONG 1974 (1974) Orson Welles’s 1960 interview with the BBC on how he made CITIZEN KANE (1941): https://www.youtube.com/watch?v=kQpLmVzT_YA Orson Welles’s 1938 broadcast of H.G. Wells’s The War of the Worlds: https://www.youtube.com/watch?v=Xs0K4ApWl4g Orson Welles's 1976 trailer for the US release of F FOR FAKE, which has basically nothing to do with the movie itself: https://www.youtube.com/watch?v=7hYBUYYlIxA “Against Gatekeepers: Orson Welles’ F for Fake in an Era of Generative Artificial Intelligence” by Dan McCabe for Perisphere, the Trylon blog: https://www.perisphere.org/2026/07/17/against-gatekeepers-orson-welles-f-for-fake-in-an-era-of-generative-artificial-intelligence/ Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog, at https://www.perisphere.org/perisphere-blog-post-guidelines/ #Bunk #35mm Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Orson's Theme Version 2" by Michel Legrand from the F FOR FAKE soundtrack. Timestamps 0:00 - Episode 393: F FOR FAKE (1973) with Tony Wagner 2:42 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 10:10 - The way you watch documentaries will affect your experience 18:18 - When it becomes about more than art forgery 27:43 - The “anti-expert” strain 36:22 - Orson Welles and the “democratizing” of art and criticism 45:59 - The ending with Picasso and Oja Kodar 56:15 - Is F FOR FAKE the most criticism-proof movie we’ve ever covered? 1:04:41 - Recollection, verisimilitude, and WARFARE (2025) 1:10:31 - The Junk Drawer 1:19:07 - To All the Loves We’ve Tried Before: 1973

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Episode 392: Y TU MAMÁ TAMBIÉN (2001) with Lauren Haun

Alfonso Cuarón’s breakout road comedy sex dramedy thing Y TU MAMÁ TAMBIÉN is a rich text that can be read on many levels. We can only get to some of those without help, so we’re joined by first-time Trylove guest Lauren Haun, who’s spent the better part of this century thinking about this movie! In Mexico during a time of great social and political change, divorcee-to-be Luisa joins Tenoch and Julio for a road trip to an idyllic beach the ribald teens made up literally the day before. Accompanied by an omniscient narrator, the trio vibe (and bang) their way across the desert, but they’re not really ready for what they learn about each other… or themselves. Find Lauren… On Instagram at @alphabetcookiee At the Trylon! Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: “Y tu mamá también: Dirty Happy Things” by Charles Taylor for the Criterion Current (August 2014) “Revisiting ‘Y Tu Mama Tambien’: A Political Perspective” by Andrea Paul for The Artifice (January 2014) Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #TakingTheScenicRoute #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Watermelon in Easter Hay” by Frank Zappa from the Y TU MAMÁ TAMBIÉN soundtrack. Timestamps 0:00 - Episode 392: Y TU MAMÁ TAMBIÉN (2001) with Lauren Haun 2:32 - Lauren’s history with Cinema Revolution and the Trylon 7:19 - Whadja Watch This Week? 13:27 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 19:26 - Luisa and a movie about mothers 29:00 - The omniscient voiceover 38:16 - NAFTA, globalization, the PRI, and global pressures changing Mexico 46:13 - The soundtrack and locations, and what they say about the characters 50:33 - It’s bad sex! 1:00:29 - The ending and what Julio and Tenoch ‘choose’

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Episode 391: THE RED SPECTACLES (1987) with Matt Clark

THE RED SPECTACLES is one entry in a long-running multimedia dystopian sci-fi series by the guy who made GHOST IN THE SHELL (1995). It’s one of the wildest, most tone-swingy things we’ve ever seen at the Trylon. It almost feels impossible to fully encircle, one of those flicks that takes hairpin turns just when you think you’ve got a handle on it. Amidst the confusion, our friend and film writer Matt Clark picks up on some elements that can be traced to Japanese crime films. That’s as good an entry point as any into THE RED SPECTACLES, but we’re doing our usual thing and poking around the edges of this weird movie to see how close we can get to its elusive center! Find Matt… At Kino Ventura , his blog about movies Making Apache Revolver , his zine about crime films On Bluesky at kinoventura On Letterboxd at kino_ventura On Trylove episodes about SHOGUN ASSASSIN (1980), THE LAVENDER HILL MOB (1951), NIGHT MOVES (1975), THE FRIENDS OF EDDIE COYLE (1973), THE ROCKETEER (1991), MIDNIGHT EXPRESS (1978) Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: Trylove Episode 207: GHOST IN THE SHELL (1995) https://pocketcasts.com/podcast/trylove/2522e5f0-0157-0137-f265-1d245fc5f9cf/episode-207-ghost-in-the-shell-1995/a088db50-06d3-4f38-aa02-0f124abe3674 Watch THE RED SPECTACLES on the Internet Archive: https://archive.org/details/1987-the-red-spectacles-mamoru-oshii-1987-english-subs THE RED SPECTACLES 4K remaster crowdfunding campaign: https://motion-gallery.net/projects/red_spectacles Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Main Title” by Kenji Kawai from the THE RED SPECTACLES soundtrack. Timestamps 0:00 - Episode 391: THE RED SPECTACLES (1987) with Matt Clark 3:13 - Whadja Watch this Week? 18:58 - The Patented Aaron Grossman Summary 22:39 - Matt’s coverage of Japan’s lost decade of cinema 28:51 - Aaron, the GHOST IN THE SHELL fan 38:18 - The switch from color to black and white 47:04 - Balancing the slapstick and stoicism 56:09 - The moment when you were bought in 1:01:58 - An egotistical odyssey 1:11:48 - The Junk Drawer 1:21:20 - To All the Loves We’ve Tried Before: 1987 1:26:33 - Cody’s Noteys: The TED Spectacles (guessing view counts on TED Talk videos)

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Episode 390: VANISHING POINT (1971)

A mythologized decade, a souped-up Challenger, and the man behind the wheel are running out of time in Richard C. Sarafian’s 1971 amphetamine-fueled road trip movie VANISHING POINT! With 15 hours to make it from Denver to San Francisco in a new white Dodge Challenger, the former cop/driver/motorcyclist/boyfriend actually takes up a bunch of stops. Each detour exposes him to another unique character or group: A snake-catcher selling vipers to desert Pentecostals; fellow drivers looking to prove their mettle; a dead-end hippie commune; gay hustlers hitching a ride. With the help of police and media attention, Kowalski becomes more than a desperate washed-up has-been on the run — for a public turning the page on the 60s, he becomes nothing less than an American hero. We’re kicking off the Trylon’s big summer program by discussing this cult classic as a time capsule and as an action movie, and figure out how it fits among “end of an era” films. Note: We recorded this episode before the Trylon started showing the standard cut of VANISHING POINT, so we watched the extended cut, which contains a particular scene we think is pretty important to the point of the movie. We’ve noted the difference in the discussion. Give to these causes in need during ICE’s occupation of Minnesota: https://mn50501.org/donate Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: “I Dreamt I Killed the Jaguar” by Finn Odum for Perisphere, the Trylon blog “The Real Cannonball Run” at SB Nation (Spotify link: https://open.spotify.com/show/3aATkNVj7eAKbCCPODUPQ3?si=gaecx5aKRBW6NkgRZ51tpw ) Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #TakingTheScenicRoute #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Mississippi Queen” by Mountain from the VANISHING POINT soundtrack. Timestamps 0:00 - Episode 390: VANISHING POINT (1971) 2:02 - Whadja Watch This Week? 27:19 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 28:22 - The weird tension of VANISHING POINT as an ‘end of an era’ movie 46:06 - Reckoning with what the ‘60s didn’t end up being 50:43 - How Kowalski becomes a torchbearer for the American spirit 57:38 - The Cannonball Run and the arbitrary desire to race across the desert 1:05:33 - The distinctly American nature of the story 1:10:35 - The Charlotte Rampling scene and the ending 1:23:06 - The Junk Drawer 1:31:17 - To All the Loves We’ve Tried Before: 1971 1:35:51 - Cody’s Noteys: Vanishing Joint (trivia tangent to Minneapolis-area hangout spots that have closed)

Episode 389: LADIES AND GENTLEMEN, THE FABULOUS STAINS (1982)

Music industry veteran Lou Adler’s second and final directing credit, LADIES AND GENTLEMEN, THE FABULOUS STAINS predated the riot grrrl movement by close to a decade. It effectively pioneered the aesthetic behind the feminist punk movement that took off in the 1990s. Three anxious teens (Diane Lane, Laura Dern, and Marin Kanter) form The Stains, taking the stage in scandalizing outfits and outrageous makeup — and carrying a transgressive message to young women seeking self-expression after the era of sexual liberation. The Stains have more spirit than talent, but they’ve got bigger problems. A cast of aging rockers (including real members of The Tubes, The Clash, the Sex Pistols, and more) and competitive upstarts (Ray Winstone as a cockney punk) send The Stains’ leader into a self-interested spiral. Give to these causes in need during ICE’s occupation of Minnesota: Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: Ladies and Gentlemen the Fabulous Stains 4K UHD/Blu-ray from Fun City Editions “University of Minnesota expert helped make animated beavers in ‘Hoppers’ true to life” by Kirsti Marohn for MPR News “Johnny Knoxville: ​‘Jackass was born among friends and that’s how it will end’” by Natalie Marlin for Little White Lies “The Fabulous Stains: Behind the Movie” (1999) Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #RiotGrrrls #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “I Slept in an Arcade” by Black Randy and the Metrosquad from the LADIES AND GENTLEMEN, THE FABULOUS STAINS soundtrack. Timestamps 0:00 - Episode 389: LADIES AND GENTLEMEN, THE FABULOUS STAINS (1982) 02:04 - Whadja Watch This Week? 21:27 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 24:12 - A movie that’s unsure what it wants to say 37:15 - Filmmakers admitting they have no idea what the kids are up to 47:54 - What we wished we’d seen in THE FABULOUS STAINS 59:31 - Lawnboy 1:13:25 - Figures, real and imagined, who throw things a bit out of whack 1:19:22 - The ridiculous ending 1:26:57 - The Junk Drawer 1:39:07 - To All the Loves We’ve Tried Before: 1982 1:42:53 - Cody’s Noteys: The Sabulous Grains (sandpaper trivia)

Episode 388: LINDA LINDA LINDA (2005)

Four girls in a Japanese school prepare for their performance at the school festival with one sub-in: The Korean exchange student who doesn’t know the songs. The new shape of their group, and the uncertain shape of their lives to come, casts a weird malaise over the days leading up to the show, broken only by their moments of youthful camaraderie. LINDA LINDA LINDA holds a special place in the boys’ hearts — most of them, anyway — as both a wistful reminiscence of teenage abandon and a movie that helped us feel a bit less distant from one another during the early months of the COVID-19 pandemic. Today, we’re trying to do that awkward thing of breaking through the vice grip of nostalgia to give this cult classic hangout movie a real critical eye. Is the success consistent or varying? As with all things in your life, it’s up to you to decide! Give to these causes in need during ICE’s occupation of Minnesota: Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: Watch LINDA LINDA LINDA on the Internet Archive: https://archive.org/details/linda-linda-linda-2005_202309 “Studying Abroad with Linda Linda Linda” by Mimi Huelster for Perisphere, the Trylon blog Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #RiotGrrrls #DCP Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “リンダ リンダ' (“Linda Linda Linda”) by The Blue Hearts from the LINDA LINDA LINDA soundtrack.

Episode 387: CISCO PIKE (1971)

CISCO PIKE was Bill L. Norton’s directorial debut, Kris Kristofferson’s first screen credit, and just another Coked Up Crazy Ass White Boy role for Gene Hackman. A musician turned drug dealer wants to pull a 180 and go back to the music biz after a stint in the pen. But he spent the Summer of Love behind bars, and when he gets out, he finds out the ‘70s ain’t all sunshine and rainbows. Karen Black and Harry Dean Stanton support as his hapless passengers, adjusting in their own ways to the new bummer decade. On this Cody-less episode, we’re discussing crooked cops, cusp-of-the-decade vibes, how we’d sell 200 keys of giggle smoke, and whether or not Tom Hanks is hot. Give to these causes in need during ICE’s occupation of Minnesota: Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: “The Silver Tongued Devil’s Last Ride” by Matthew Tchepikova-Treon for Perisphere, the Trylon blog “How Kris Kristofferson Beat the Devil” by Chris Lehmann for The Nation (Oct. 1, 2024) Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #CultFilmCollective #35mm Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Wailin' & Whoopin'” by Brownie McGhee and Sonny Terry from the CISCO PIKE soundtrack. Timestamps 0:00 - Episode 387: CISCO PIKE (1971) 3:50 - Whadja Watch This Week? 26:28 - The Patented Aaron Grossman Summary 29:29 - It’s basically a drug dealing montage 31:25 - The ‘60s high crashing in the ‘70s 41:01 - Why Cisco Pike struggles to survive the new decade 42:36 - What Cisco Pike really wants 55:29 - Cisco and Holland’s relationship 1:02:41 - Merna and Lynn: Cisco’s women 1:11:09 - The Junk Drawer 1:14:52 - To All the Loves We’ve Tried Before: 1971

Episode 386: SHAUN OF THE DEAD (2004) with Emma Youndtsmith

We’re thrilled to have Emma Youndtsmith back to discuss a longtime favorite of hers and many millennials’: The movie that made Edgar Wright’s career, SHAUN OF THE DEAD! We discuss the enduring love for this quirky movie, the comfort of regression, our favorite jokes, and our preferred zombie-fighting weapons (Emma’s legitimately surprised me). Then, we’re pitting seemingly random dead celebrities against each other in Cody’s Noteys! Find Emma… On Instagram at https://www.instagram.com/quiltedquads/ On Letterboxd at https://letterboxd.com/emma_why/ Volunteering at the Trylon every other Friday On Trylove episodes about WATERSHIP DOWN (1978) and THE BLAIR WITCH PROJECT (1999) Give to these causes in need during ICE’s occupation of Minnesota: Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #TheThreeFlavoursCornettoTrilogy #35mm Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: You know what it is.

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Episode 385: DRAGNET GIRL (1933)

Help the Trylon afford a 4K projector! https://trylon.org/4K SURPRISE! We’ve got one more Kinuyo Tanaka movie in the tank, because Cody and Jason weren’t able to get 80s Action Extravaganza tickets this year. With Cody out anyway, we’re covering DRAGNET GIRL, our first silent film directed by Yasujirō Ozu. It has a very, VERY different energy from his better-known works with color and sound (for better and worse). A gangster and his moll enter a sort of love triangle when a scrappy ruffian wants to join the gang — only for the young upstart’s sister to catch the gangster’s eye. What follows on Trylove is a discussion of queer subtext (on which we’re not experts), prewar Japanese social constructs of masculinity (on which we’re not experts), and how cool this movie could be if it was like 35 minutes shorter (we’re kind of experts on that one tbh). Give to these causes in need during ICE’s occupation of Minnesota: Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: “Movie of the Week: Dragnet Girl’” by Richard Brody for The New Yorker (April 15, 2015) Trylove Episode 190: FOREVER A WOMAN (1955) (aka THE ETERNAL BREASTS) Trylove Episode 192: LOVE LETTER (1953) Trylove Episode 193: GIRLS OF THE NIGHT (1961) Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #TheBalladOfKinuyoTanaka #35mm Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music from the DRAGNET GIRL soundtrack we heard when watching it at home, but I legitimately cannot find out who composed or performed that version.

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