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The Physical Cut

Krloz Ruben | The Physical Cut

The Physical Cut is a podcast about physical media, movie collecting, and the culture behind Blu-ray, 4K Blu-ray, and boutique labels like Criterion Collection, Arrow Video, and more. Hosted by Krloz Ruben, each episode explores film preservation, collector culture, limited editions, restorations, and the stories behind the movies we choose to own in a streaming-first world.

From deep dives into boutique Blu-ray releases to conversations about physical media collecting, film preservation, horror, and home video history, The Physical Cut celebrates the collectors, creators, and community keeping physical media alive.

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  • 16 episodes
  • Avg 49 min
  • English

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  • #15
    Monday · 44 min

    GALICIA!: Found Footage, Natural Wine & the Apocalypse with STUPID CO

    Hey! I'd love to hear your thoughts, send me a voice note. What happens when a holiday in Galicia, natural wine, friendship, and the end of the world become one film? On this episode of The Physical Cut, Krloz sits down with Kyle Greenberg and Anna Maguire of STUPID CO to talk about their new hybrid documentary GALICIA!, a found-footage film that began with a simple idea: visit friends in Spain, experience their wine harvest, and imagine what would happen if the apocalypse arrived while you were there. We start with the story behind STUPID CO, from its beginnings as a playful creative label to the filmmaking company it has become. Kyle and Anna talk about making films together, wearing nearly every hat on their productions, and why keeping their work independent allows them to experiment. We get into GALICIA! and the unusual way it was made. The film combines travel, dark humor, friendship, natural wine, and an increasingly unsettling sense that something has gone very wrong. Kyle and Anna explain how much of the film was planned, what happened organically during their trip, the real-life nightmare of lost luggage, and why the film deliberately moves between comedy, anxiety, documentary, and horror. We also talk about Purrela Wines, the Galician winemakers at the center of the film's harvest, how wine became part of the story from the beginning, the culture and landscapes they encountered while traveling through Galicia. GALICIA! premieres in New York on October 13 at the Roxy Cinema as part of the Downtown Festival, with additional U.S. festival dates to be announced. In this episode: The origins of STUPID CO Making independent films outside the traditional system GALICIA! and its found-footage approach Natural wine and Purrela Wines Traveling through Galicia and capturing local culture Balancing comedy, anxiety, horror, and documentary Making a film about the apocalypse in the real world Politics and contemporary reality in independent filmmaking Building an experience around a film and its wine The future of GALICIA! and its physical release Follow STUPID CO: stupidco.biz / @stupidcobiz Follow The Physical Cut on Instagram: @thephysicalcutpod Check our website krpodlab.com You can support our indie shows by buying us a coffee.

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  • #14
    September 14 · 54 min

    Inside Independent Horror: Gare-Scare on Filmmaking & Hishkenstien: After Dark

    Hey! I'd love to hear your thoughts, send me a voice note. What does it take to make an independent horror film, and what happens when you start looking at movies differently because you're the one making them? On this episode of The Physical Cut, I sit down with filmmaker Gare-Scare to talk about the movies, influences, and experiences that shaped his approach to filmmaking. We get into what makes a movie stick with you, the elements of filmmaking audiences don't always notice, and the realities of making independent films when budget, time, locations, and equipment aren't always on your side. We also take a Scene Break into Fortunato's Descent, with Gare-Scare walking us through one scene from the film—from the original idea and visual approach to what was happening behind the scenes and whether the finished scene matched what he originally envisioned. And because this is The Physical Cut, we close by talking about Hishkenstien: After Dark, which is getting both a streaming release and a Blu-ray release through CoffinMaker Video. We discuss what it means for an independent film to become a physical release and get a second life with an audience that can actually own it. In this episode: Gare-Scare's path into filmmaking The movies that influenced his approach to film What makes a movie stay with you The overlooked elements of filmmaking The realities of independent horror filmmaking Working within creative and production limitations Scene Break: Inside Fortunato's Descent Getting independent films in front of audiences Festivals and the challenges of finding an audience Hishkenstien: After Dark and its upcoming streaming release The film's upcoming Blu-ray release from CoffinMaker Video The future of Hishkenstien, including a potential sequel/experimental art project Why independent filmmakers continue making movies Follow Gare Scare on Instagram, Youtube and visit Wicker Sticks Entertainment. Follow The Physical Cut, subscribe, and share the episode with someone who loves independent horror and physical media. Visit our website KRPodLab.com to supoort our show by buying us a coffee.

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  • #13
    September 5 · 1 hr 18 min

    From Letterboxd to the Shelf: Movie Discovery, Ratings & Film Culture with Chris Higgins

    Hey! I'd love to hear your thoughts, send me a voice note. When does watching a movie become something we feel like we have to document? Krloz sits down with Chris Higgins, AKA Bearded Film Guy, for a conversation about Letterboxd, movie discovery, ratings, film culture, and the increasingly complicated relationship between watching movies and creating content about them. We start with Chris's podcast Beyond the Blood, a show built around using physical-media audio commentaries as the starting point for deeper conversations about genre films. From there, the conversation moves into Letterboxd and the pressure that can come with logging, rating, reviewing, and comparing your movie-watching habits to everyone else's. Chris talks about why he had to rethink the way he uses Letterboxd, how ratings can affect the way we actually experience a movie, and why having a different opinion from the crowd shouldn't turn into a fight. We also dig into “contentification” — the idea that movies can become content to be consumed, ranked, reviewed, posted, and monetized rather than simply experienced. Where does genuine film discussion end and content creation begin? And what happens when social media incentives start influencing how we talk about movies? Physical media naturally enters the conversation through movie discovery, ownership, bonus features, and the idea that learning more about a film can completely change how you see it. In this episode: Chris Higgins and the origins of Beyond the Blood Why audio commentaries can change how you experience a movie Letterboxd and the pressure to constantly log and rate When movie watching starts feeling like a competition Rating movies vs. simply enjoying them The pressure to agree with popular opinion Film criticism, disagreement, and having your own perspective The “contentification” of movies Social media, movie influencers, and authenticity When physical media can lead to deeper movie discovery Why bonus features and film history matter Chris's Letterboxd Top Four and the movies he owns physically SCREAM AT 30: Scream, Letterboxd, ratings, reputation, and the horror canon Follow Chris: @beardedfilmguy Listen to Beyond the Blood. Listen to the episode "Short Night of Glass Dolls'' Follow Steve: @afterhoursvideo Follow or subscribe to The Physical Cut. Check out KRPodLab.com and support our little show by buying us a coffee.

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  • #12
    September 4 · 45 min

    Bonus Ep: Obsession’s Oscars Campaign: Which Categories Can It Actually Win?

    Hey! I'd love to hear your thoughts, send me a voice note. Obsession is going to the Oscars; or at least Focus Features is going all in on an Oscar campaign. With the studio submitting Curry Barker’s Obsession in a long list of categories, the question isn't simply whether the movie deserves to be nominated. How does it actually stack up against the competition? In this special episode of The Physical Cut, I go category by category through Obsession’s Oscar campaign, comparing its chances against movies that have already arrived and some of the biggest contenders still coming later this year. From makeup and cinematography to acting, screenplay, directing and eventually Best Picture, we're looking at where Obsession has a legitimate path, and where the campaign might be stretching a little too far. And yes, there are some categories where I think Focus Features should absolutely be putting its money. There are others where I'm wondering what the hell they're doing. In this episode: Obsession’s Oscar campaign and the 15 submitted categories Makeup & Hairstyling Sound and the horror advantage Original Score Costume Design Production Design vs. Project Hail Mary Cinematography and why this might be Obsession’s strongest craft category Casting and the importance of Inde Navarrette to the campaign Supporting Actor: Cooper Tomlinson and Andy Richter Why Michael Johnston may have a better chance in Supporting Actor Film Editing and the Curry Barker/Sean Baker comparison Original Screenplay vs. The Invite, Mother Mary and other contenders Best Actor Inde Navarrette and the Best Actress race Curry Barker vs. Christopher Nolan and the Javis for La Bola Negra The crowded Best Picture race My final Obsession Oscar scorecard The Oscar race is still developing, and plenty of major 2026 releases haven't even arrived yet. So this isn't about pretending we know exactly what will happen on Oscar night. It's about where Obsession stands right now. Find us on Instagram: @thephysicalcutpod More from the network: KR PodLab Support the show by buying us a coffee!

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  • #11
    August 26 · 1 hr 9 min

    Asterisk Video: VHS Collecting, Physical Media & the Collector Community

    Hey! I'd love to hear your thoughts, send me a voice note. On this episode of The Physical Cut, Krloz sits down with Matt from Asterisk Video, a small physical media business based in West Virginia that grew out of Matt and his wife's own collecting habits. What started with trying to downsize duplicate VHS tapes eventually became a business built around hunting, restoring, cleaning, testing and selling physical media at events across the country. Matt talks about what it actually takes to source vintage VHS tapes and other physical media, and why the work behind the table is often much more complicated than collectors realize. The conversation also dives into the current state of VHS collecting, the rise of younger collectors discovering the format, collecting for nostalgia versus aesthetics, horror's relationship with physical media, boutique labels and artwork, and where Matt thinks the physical media market is heading. And because no episode with a VHS collector would be complete without it, Matt shares the story of the time his rental copy of Scream broke at the worst possible moment. In This Episode How Asterisk Video grew from downsizing a personal collection into a physical media business Building a business around VHS, DVDs, Blu-rays, 4Ks and other physical media Hunting for inventory through flea markets, yard sales, thrift stores and collections The work involved in cleaning, repairing, testing and restoring VHS tapes Why horror collectors have become such a major part of the physical media community The new generation of VHS collectors and the appeal of the format Nostalgia vs. collecting for aesthetics Why movie artwork can be just as important as the movie itself Original artwork, boutique labels and the debate over new cover designs What collectors often misunderstand about the physical media community The emotional stories and memories behind people's collections Rewind Rolodex and resources for VHS collectors Where Matt sees the future of physical media heading Advice for anyone starting a physical media collection Scream at 30: Matt's unforgettable story about renting Scream on VHS Follow Asterisk Video on Instagram and Facebook to keep up with their inventory, upcoming events and latest finds. Follow The Physical Cut on Instagram and visit KRPodLab.com to learn how to support our show by buying us a coffee.

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  • #10
    August 26 · 1 hr 7 min

    Criterion Collection, Film Deep Dives & Physical Media with Ron (Why This Film?)

    Hey! I'd love to hear your thoughts, send me a voice note. What makes a film worthy of the Criterion Collection? Krloz sits down with Ron from Why This Film? to talk about Criterion, physical media collecting, and the idea behind his podcast: exploring the collection one spine at a time. Ron shares how his curiosity about Criterion led him to start Why This Film?, where conversations with critics, historians, writers, professors, and filmmakers go beyond simply asking whether a movie is good or bad. We talk about how those conversations have changed the way he watches films, the importance of Criterion's supplements and essays, and the experience of discovering films outside the mainstream. We also get into Criterion collecting, blind buys, Letterboxd, underrated releases, and what makes a film worth revisiting. Plus, Ron takes on a quick Criterion rapid-fire round. In this episode: Why Ron created Why This Film? Criterion Collection and physical media collecting Film deep dives, criticism, and the value of supplements How conversations can change the way you watch movies Discovering lesser-known and international filmmakers Criterion blind buys, underrated releases, and collecting regrets Films Ron would love to see join the Criterion Collection Find Why This Film? Website: whythisfilm.com Instagram: @whythIsfilmpod If you enjoy the episode, follow, subscribe, and share The Physical Cut wherever you listen to podcasts. You can also follow us on Instagram for more physical media, collecting, and movie culture. Visit KRPodLab.com and support us by buying us a coffee.

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  • #9
    July 23 · 49 min

    Why the Criterion Collection Matters: Film Discovery, Physical Media & the Barnes & Noble Criterion Sale

    Hey! I'd love to hear your thoughts, send me a voice note. Every movie collector remembers their first Criterion. In this episode of The Physical Cut, Krloz sits down with Derick McDuff, host of the Underrated Movie Podcast, longtime Barnes & Noble bookseller, and WatchMojo contributor, to explore why the Criterion Collection has become one of the most respected names in physical media. From working the legendary Barnes & Noble Criterion Sale to recommending hidden cinematic gems every day, Derick shares what it's really like helping collectors build their libraries, introducing newcomers to classic cinema, and discovering films that deserve far more attention. Together, they discuss how physical media creates deeper connections with movies than streaming ever can, why film recommendations matter, and how Criterion continues to preserve cinema through outstanding restorations, special features, and collector editions. Whether you're buying your very first Criterion release or have hundreds on your shelf, this conversation celebrates the joy of film discovery and the culture behind collecting. In this episode: Why the Criterion Collection is so important Inside the Barnes & Noble Criterion Sale How to start collecting Criterion the right way Film recommendations for first-time Criterion buyers How social media influences movie collecting Physical media vs. streaming The value of special features and film preservation Why collectors still love browsing physical stores Underrated movies every film fan should discover Why owning movies still matters in the streaming era We also dive into conversations about John Waters, David Lynch, Godzilla, The Red Shoes, The Princess Bride, Scream, Scream 2, Scream 3, The Elephant Man, and many more films that continue to shape film culture. 🎙 Guest: Derick McDuff – Host of the Underrated Movie Podcast Follow Derick: Website: underratedmoviepodcast.com Instagram: @underratedmoviepodcast Follow The Physical Cut Instagram: @thephysicalcutpod Website: KRPodLab.com If you enjoy conversations about physical media, boutique labels, film preservation, Criterion Collection releases, movie collecting, Blu-rays, 4K UHD, horror, cinema history, and collector culture, be sure to subscribe and leave a review.

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  • #8
    July 11 · 1 hr 16 min

    Obsession (2026): How an Indie Horror Film Became a Horror Phenomenon

    Hey! I'd love to hear your thoughts, send me a voice note. Why did Obsession (2026) become one of the biggest horror success stories of the year? In this episode of The Physical Cut, Krloz is joined by special guest John (Spky_Szn95) to break down the unexpected rise of Cory Barker's breakout indie horror film and why audiences can't stop talking about it. Together, they explore how a film made for under $1 million became a box office phenomenon through word of mouth, social media, and passionate horror fans. Is Obsession simply the most talked-about horror movie of 2026, or has it already earned cult classic status? The conversation covers the film's psychological horror, atmosphere, cinematography, performances, marketing strategy, collector appeal, and the growing importance of original independent horror in a franchise-driven industry. They also discuss physical media, the upcoming 4K release, and why movies like Obsession prove collectors and horror fans can help shape a film's legacy. The episode concludes with a special transition into The Physical Cut's year-long celebration of the 30th anniversary of Scream, where Krloz and John reflect on what Wes Craven's classic means to horror fans and collectors nearly three decades later. In This Episode Why Obsession (2026) became a surprise horror phenomenon Can word of mouth outperform million-dollar marketing campaigns? Psychological horror vs. modern franchise horror Cory Barker's breakout success The performances of Indy Navarrette and Michael Johnston Horror collecting and the upcoming Obsession 4K release Why physical media still matters Is Obsession the next cult classic? Celebrating 30 Years of Scream Favorite Ghostface killers and the legacy of Wes Craven Support the show by following us on Instagram and sharing the episode with your friends! Visit KRPodLab for all episodes and to leave us voicemails, we would love to feature you in the show!

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  • #7
    July 9 · 46 min

    Do You Really Own Your Digital Movies & Games? Why Physical Media Still Matters

    Hey! I'd love to hear your thoughts, send me a voice note. The future of physical media has never been more uncertain. As streaming services grow and digital purchases become the norm, an important question remains: Do we actually own the movies and games we buy? In this special crossover episode, The Physical Cut joins Super Wall Jump to explore one of the biggest debates in entertainment today. We discuss the differences between physical media and digital ownership, why movies and games continue disappearing from online storefronts, and what that means for collectors, gamers, and film lovers alike. From licensing agreements that can revoke access to purchased digital content, to the importance of preserving alternate cuts, bonus features, and forgotten films, this conversation goes beyond nostalgia. We also discuss the role collectors play in protecting film history, the value of boutique labels like Criterion, discovering international cinema through physical media, and why convenience shouldn't come at the cost of ownership. Whether you're a Blu-ray collector, a gamer, or someone who simply loves movies, this episode explores why physical media remains an essential part of preserving culture for future generations. Topics Covered Physical media vs. streaming Do you really own digital movies? Why lost media matters Film preservation and collecting Physical games vs. digital downloads The future of Blu-ray, DVD, and physical media Criterion Collection and boutique labels Discovering international cinema Why collectors help preserve film history Follow us on Instgram and check out our website for all episodes. You can also find us on YouTube!

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  • #6
    June 30 · 27 min

    Bonus Ep: 10 Criterion Collection Releases I’d Buy Before the Sale Ends | Barnes and Noble

    Hey! I'd love to hear your thoughts, send me a voice note. The Criterion Collection July Sale is one of the best times of the year to add new films to your shelf, and in this episode I’m sharing ten releases I think are absolutely worth picking up. These aren’t ranked, and they aren’t necessarily the “greatest” films in the collection. They’re simply ten editions I return to, recommend often, and believe offer something special. Whether it’s the film itself, the restoration, the supplements, or the overall package. From overlooked horror classics and unforgettable international cinema to modern masterpieces and a few hidden gems, these are the Criterion releases I’d point collectors toward during this year’s sale. I also wrap up the episode by sharing the Criterion titles I picked up during the sale and the releases I’m still considering before the month ends. Featured Films: The Innocents Portrait of a Lady on Fire La Haine Anatomy of a Fall The Worst Person in the World The Watermelon Woman A History of Violence Jules and Jim Targets Perfect Days What are you picking up during the July Criterion Sale? Let me know on Instagram—I always enjoy hearing your recommendations. Follow The Physical Cut podcast Personal: @krlozruben2.0 Visit our site for all episode KRPodLab.com

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  • #5
    June 27 · 1 hr 5 min

    Physical Media Hunting in Rome and Madrid... Only One Won

    Hey! I'd love to hear your thoughts, send me a voice note. What happens when you stop traveling like a tourist and start traveling like a movie collector? In this episode of The Physical Cut, Krloz Ruben compares Rome and Madrid through the lens of physical media collecting. Which city offers the better experience for Blu-ray collectors, movie lovers, and fans of boutique labels? From hidden movie shops tucked away in Rome's historic streets to Madrid's massive physical media stores, this episode explores Blu-ray hunting, collector culture, movie theaters, pricing, boutique releases, and the experience of searching for movies while traveling abroad. Along the way, Krloz visits independent cinemas, watches films in both countries, explores horror landmarks, and shares why building a physical media collection through travel creates memories that streaming never can. Whether you're planning a movie-themed vacation, searching for Blu-rays overseas, or simply love hearing stories about physical media collecting around the world, this episode is packed with travel tips, collector insights, and recommendations for fellow movie lovers. In This Episode Why Rome and Madrid offer completely different experiences for movie lovers Visiting independent movie theaters in Italy and Spain Comparing the moviegoing experience in both countries The best physical media stores in Rome Why Madrid remains one of Europe's best cities for collectors Shopping at Hollywood, Profondo Rosso, FNAC, CeX, and Ziggy's Horror collecting in Italy versus Spain DVD, Blu-ray, and 4K collecting in Europe Why DVDs are still thriving overseas The surprising differences between American and European collector culture Boutique labels, steelbooks, and exclusive editions Which city has the better prices, selection, and overall collector experience Krloz' final rankings and recommendations for fellow collectors Featured Locations & Stores Hollywood (Rome) Profondo Rosso Farnese Arthouse Cinema Fnac Madrid CeX Madrid Ziggy's Campo de' Fiori Rome, Italy Madrid, Spain If You Enjoy Physical media collecting Blu-ray collecting 4K collecting Boutique labels Horror movies International cinema European movie stores Film travel Collector culture ...this episode is for you. Follow The Physical Cut Instagram: @thephysicalcutpod Personal Instagram: @krlozruben2.0 Visit KRPodLab.com for all episodes and more. Check out the haul video on YouTube! LG regional free bluray player. If you enjoyed this episode, consider following The Physical Cut and leaving a rating or review. It helps more physical media collectors discover the show and keeps the conversation about preserving movies alive.

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  • #4
    June 3 · 30 min

    The Podcast Episode You Were Never Supposed to Hear

    Hey! I'd love to hear your thoughts, send me a voice note. What happens when a conversation about preservation isn't preserved? In this unique episode of The Physical Cut, Krloz sits down with Alex Stang of CoffinMaker Video to discuss physical media preservation, VHS collecting, boutique labels, forgotten films, and the small businesses working to keep film history alive. But after recording for more than an hour, a technical failure erased Alex's side of the conversation. Rather than bury the episode, Krloz reconstructs the discussion from the surviving recording and revisits the ideas that made it worth saving. Together, they explore why physical media still matters in the streaming era, the importance of supporting independent businesses, the joy of discovering forgotten films, VHS culture, film preservation, and the collectors who continue to keep physical media alive. The episode also highlights Alex Stang's work through CoffinMaker Video, including the preservation and release of cult and lesser-known genre films such as Driller Killer. Topics discussed include: • Physical media preservation • VHS collecting and VHS culture • Boutique Blu-ray labels • Forgotten and overlooked films • Film restoration and preservation • Supporting small businesses • Horror films and cult cinema • Movie collecting in the streaming age • CoffinMaker Video and independent film preservation Whether you're a VHS collector, Blu-ray enthusiast, boutique label supporter, or simply someone who believes movies deserve to be owned and preserved, this episode is a reminder that film history is bigger than algorithms and streaming libraries. Follow Alex Stang and CoffinMaker Video on Instagram @coffinmaker_video Visit CoffinMaker Video store at coffinmakervideo.base44.app Follow The Physical Cut: Instagram: @ThePhysicalCutPod Website: KRPodLab.com

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  • #3
    May 17 · 1 hr 34 min

    The Art of the Box | Why Movie Packaging Still Matters to Collectors

    Hey! I'd love to hear your thoughts, send me a voice note. In this episode of The Physical Cut, we dive deep into one of the most overlooked, yet most emotional, parts of physical media collecting: the art of the box. From premium boutique label releases to disappointing studio cash grabs, this episode explores why cover art, steelbooks, slipcovers, box sets, and packaging design can completely transform the movie collecting experience. Krloz is joined by horror collector and physical media enthusiast John (Spky_szn95) for a passionate conversation about horror collectibles, boutique labels, limited editions, steelbooks, custom box sets, and the emotional connection collectors have with physical releases. Together they discuss why some editions become instant grails while others feel like lazy repackaging. The episode covers everything from: Why horror collectors keep physical media alive The importance of artwork in blind buys Boutique labels like Arrow Video, Criterion Collection, Vinegar Syndrome, Second Sight Films, and Scream Factory The rise of collector culture in horror physical media Steelbooks vs premium box sets Slipcover collecting The emotional pain of canceled limited editions The infamous canceled Halloween pumpkin box set disaster Why collectors double dip on their favorite films The beauty of custom-made collector box sets Whether packaging can actually elevate a movie experience Films and franchises discussed include: Halloween, The Blair Witch Project, Fight Club, Eyes Wide Shut, The Ring, A Clockwork Orange, Godzilla Minus One, The Exorcist III, Killer Klowns from Outer Space, Hellraiser, Pride & Prejudice, 2001: A Space Odyssey, and many more. Whether you collect Blu-rays, 4Ks, VHS tapes, steelbooks, or boutique editions, this episode is a love letter to the collectors who still believe movies deserve to live beyond the stream. Follow John / SpookySeason95: Instagram: @spky_szn95 Follow The Physical Cut: Instagram: @thephysicalcutpod Other creators to follow and support: Mariano Mattos Art Last Movie Standing and his Etsy account. Join RSS.com today for free: https://rss.com/?via=9e489f

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  • #2
    May 9 · 26 min

    The First Disc & How Scream on VHS Started My Movie Collection

    Hey! I'd love to hear your thoughts, send me a voice note. Before streaming and digital libraries, there were video stores, VHS tapes, DVD shelves, and the thrill of bringing home a movie to keep forever. In this episode of The Physical Cut, Krloz Ruben shares the story of the first movie that started it all: the original Scream VHS. What began as repeated trips to the local video store became a lifelong passion for physical media, movie collecting, and preserving the films that matter most. From VHS and DVD to Blu-ray, 4K Blu-ray, and boutique labels like Criterion Collection, this episode explores why collecting movies is about more than owning discs; it’s about preserving memories, celebrating film, and building a collection that tells your story. This episode also dives into: The nostalgia of video stores and rental culture Why physical media collecting is more emotional than material The difference between collecting and hoarding VHS price inflation and collector culture today DVD memories, lost discs, and favorite editions Traveling internationally to hunt for rare movie releases Boutique labels, Criterion collecting, and avoiding FOMO Curating a collection that reflects your personality Why movies like Bedazzled and Boogie Nights, still matter emotionally years later Whether you collect VHS tapes, DVDs, Blu-rays, 4Ks, SteelBooks, or boutique editions; this episode is a reminder of why we started collecting in the first place. Because sometimes one piece of plastic becomes an entire wall of memories. Follow and connect: Instagram: @krlozruben2.0 If you want to support the show, follow us on Instagram @thephysicalcutpod Share our little show with other physical media lovers, and slide into our inbox. Talk to us about physical media, we'll love to share your opinions and recommendations on our show. Join RSS.com today for free: https://rss.com/?via=9e489f

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  • #1
    May 6 · 9 min

    IT: Welcome to Derry SteelBook Review & Collector First Look

    Hey! I'd love to hear your thoughts, send me a voice note. As a longtime Stephen King collector and physical media enthusiast, Krloz breaks down the packaging, artwork, collector art cards, interior design, and why this release actually feels worth the premium price tag. He also talks about the state of modern steelBooks, barebones 4K releases, double-dipping as a collector, and why physical media fans deserve better from studios. Plus: Thoughts on the IT: Welcome to Derry HBO series Why this SteelBook sold out twice The importance of collector-focused packaging Stephen King collecting stories 4K vs streaming quality discussion Upcoming thoughts on the Fight Club SteelBook If you love horror movies, Stephen King, Pennywise, steelBooks, blu-rays, boutique collecting, or physical media culture, this episode is for you. Follow The Physical Cut for more conversations about 4K collecting, SteelBooks, horror films, boutique labels, Blu-rays, DVDs, and the future of physical media. If you want to support the show, follow us on Instagram @thephysicalcutpod Share our little show with other physical media lovers, and slide into our inbox. Talk to us about physical media, we'll love to share your opinions and recommendations on our show. Join RSS.com today for free: https://rss.com/?via=9e489f

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  • April 30 · 47 sec

    Welcome to The Physical Cut!

    Hey! I'd love to hear your thoughts, send me a voice note. A podcast for people who still buy movies… on purpose. Even when everyone else thinks it’s weird. If you’re still picking up Blu-rays, DVDs, or boutique releases… you already know, this isn’t just about watching movies. It’s about owning them. Here, we talk about physical media from every angle: Collectors like you, small business owners, boutique labels, and the people actually restoring these films. Choosing the right version. And building a collection that actually means something. No gatekeeping. No pretending everything is “essential.” And yeah, calling out when a “new release”... kinda sucks. Just real conversations about physical media… and why it still matters. This is The Physical Cut.

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