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The 7am Novelist

Michelle Hoover

Join award-winning novelist and writing coach Michelle Hoover and special guests for your morning writing wake up call, starting with a 50-day writing challenge.

7amnovelist.substack.com
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  • 26 episodes
  • weekly
  • Avg 38 min
  • English
Counted on this page — what you have heard stays on this device, so it is not something the list can be paged by.
  • October 27 · 25 min

    Chital Mehta: Protagonist as Superego & Testing POVs

    Today, I’m talking to Chital Mehta, author of the recently released novel, Have You Seen Romit, to be released in October. R.O. Kwon called the novel: “A gripping, intensely moving portrayal of a woman whose ferocious love for her children ends up clashing with how others expect her to behave. I loved spending time with the rule-breaking Usha and with the complicated world Chital Mehta has conjured. Vivid, fresh, and resonant.”. We’ll be discussing how Chital experimented with point of view in the novel, writing her first draft in third-person, revising it in first person, and returning again to third person for her final draft. Watch a recording here. This audio/video version is available for one month. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Mehta’s latest book as well as many other books by our authors, visit our Bookshop page. Chital Mehta is an award-winning South Asian writer whose stories center around motherhood, family dynamics, and immigration. She won the Boggs Fiction contest for her story, “Damaged Gifts,” and her story “The Weight of Happiness” was a Finalist for The Pinch Literary Awards. Her novel, Have You Seen Romit?, was the winner of the 2025 James Alan McPherson Prize for the Novel, judged by R. O. Kwon. She is an alum of Tin House and VONA. She holds an MFA from Lindenwood University. She lives in Delaware with her husband and children. Photo by Neil Mewes on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • October 20 · 45 min

    Courtney Maum: Fictionalizing Fiction (& How a Simple Character Goal Fixes Everything)

    Today, I’m talking to Courtney Maum, literary citizen extraordinaire, educator, writing coach, and author most recently of Alan Ops Out. She says the book took an “obscene” number of drafts because she couldn’t distance herself from her female character, when the story needed this character to be wildly different. She needed, as Courtney calls it, to “fictionalize” her fiction. Watch a recording here. This audio/video version is available for one month. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Maum’s latest book as well as many other books by our authors, visit our Bookshop page. Along with her latest novel, ALAN OPTS OUT, Courtney Maum is the author of five previous books, including the romantic comedy TOUCH (A New York Times Editors’ Choice) and the memoir THE YEAR OF THE HORSES, chosen by the Today show as one of the best reads for mental health awareness. Creator of the groundbreaking publishing guidebook BEFORE AND AFTER THE BOOK DEAL and the bestselling Substack newsletter by the same name, Maum is an educator and writing coach hellbent on preserving the joy of art-making in a culture obsessed with turning artists into brands. In addition to her advocacy work for writers at The Author’s Guild, Courtney runs a workshop in New Mexico where she combines twenty years of experience in advertising with a deep love of craft to help writers boost their confidence and industry know-how. Learn more and sign up for her writing classes at CourtneyMaum.com Photo by Pulkit Pithva on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • October 13 · 49 min

    Hank Phillippi Ryan: Stripping a POV to Save Suspense

    Today, I’m talking to Hank Phillippi Ryan, author of the upcoming thriller Mother Daughter Sister Stranger. Hank had sent what she calls a “best-it-could-be” draft of the book to her editor, when her editor turned it back around and told her to cut an entire point of view. That’s a tough message to hear when an author thinks they’ve already crossed the finish line. How did she do it? Watch a recording here. This audio/video version is available for one month. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Ryan’s latest book as well as many other books by our authors, visit our Bookshop page. HANK PHILLIPPI RYAN is the USA Today bestselling author of 17 thrillers including MOTHER DAUGHTER SISTER STRANGER and ALL THIS COULD BE YOURS, the 2026 Mary Higgins Clark Award winner. She’s won every major mystery award, and her thrillers are translated into multiple languages worldwide. Her fiction is inspired by a lifetime of investigating true crime as an on-air reporter for Boston’s WHDH-TV, winning multiple journalism honors, including an unprecedented 37 Emmys. A TedX speaker and in-demand literary moderator, national reviewers call her “a superb and gifted storyteller.” A Chicago native with Indianapolis roots, Ryan lives in Boston. Photo by Savannah Bolton on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • October 6 · 34 min

    Trisha Blanchet: Slowing Down (& a Little Witchcraft Too)

    Today, I’m talking to Trisha Blanchet, author of the recently released debut, Murder Like Magic. Trisha is a former journalist, and I know plenty of journalists who are great with cranking the pages out. But Trisha often found that she just needed to slow down and give more. So we’ll talk about how she did it. Watch a recording here. This audio/video version is available for one month. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Blanchet’s book as well as many other books by our authors, visit our Bookshop page. Trisha Blanchet is the author of Murder Like Magic (Crooked Lane Books, Aug 25, 2026) and The Neath Trilogy (Herrick’s End, Herrick’s Lie, and Herrick’s Key). She’s also the producer and host of A Mighty Blaze Podcast, which features interviews with authors, and the founder of Operation Delta Dog: Service Dogs for Veterans. Trisha is a member of the Tall Poppy Writers, Mystery Writers of America, Sisters in Crime, and ITW. Photo by Frames For Your Heart on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • September 29 · 45 min

    Andrew Ridker: Does Changing Genre Require a Change in Voice?

    Today, I’m talking to Andrew Ridker, author of his upcoming third novel, Everything Must Go, which will be released next year. We’ll be discussing voice and how a writer might retain one’s voice while crossing into a new genre. This seems a particularly tricky issue, because different genres often demand different kinds of voices, but of course as a writer still wants their work to sound like themselves. Watch a recording here. This audio/video version is available for one month. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Ridker’s latest book as well as many other books by our authors, visit our Bookshop page. Andrew Ridker is the author of the novels Hope and The Altruists. His third novel, Everything Must Go, is forthcoming from Viking. His writing has appeared in The New York Times Magazine, The Wall Street Journal, New York Magazine, Le Monde, Bookforum, Guernica, Lit Hub, and on his Substack newsletter, Half Sour. A graduate of the Iowa Writers’ Workshop, Andrew is the founder of the Prospect Writers’ Workshop. He lives in Cambridge, Massachusetts. Photo by Stephen Harlan on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • September 22 · 30 min

    Alexis M. Wright: In Praise of Literary Citzenship (& How to Do It Right)

    Today, I’m talking to Alexis M. Wright about how she’s built a writing career through literary citizenship. She’ll share concrete examples of how one act of service or connection tends to cascade into the next. For Alexis and others, being a good literary citizen is as career-defining as the writing itself. Watch a recording here. This audio/video version is available for one month. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find books by our authors, visit our Bookshop page. Alexis M. Wright is a writer whose essays have appeared in The Common, Shenandoah, and The Maine Review, with work recognized as notable in the Best American Essays. Alongside her writing, Alexis has built her career through deep community engagement: she reads for Ploughshares, teaches at organizations like The Loft Literary Center, has interviewed the leadership of The McCormack Writing Center (formally Tin House) for Electric Literature, and has worked in arts administration supporting writers and artists at the Fine Arts Work Center in Provincetown. She is a passionate advocate for the idea that a writing life is built not only through publication but through service, connection, and showing up for other writers and the institutions that sustain them, relationships that open doors that publishing alone cannot. Alexis is represented by Julia Kim at The Rights Factory and is at work on her debut essay collection. Photo by Shane Rounce on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • September 15 · 30 min

    Rachel Kousser: From Academic to Narrative Nonfiction. How to Make the Switch?

    Today, I’m talking to Rachel Kousser, author of Alexander at the End of the World: The Forgotten Final Years of Alexander the Great. As a Classics professor, she had to make a big adjustment from argument-focused academic writing to story-focused narrative nonfiction. Her writing partner, Ilyon Woo, was critical to her success. Watch a recording here. This audio/video version is available for one month. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Kousser’s book as well as many other books by our authors, visit our Bookshop page. RACHEL KOUSSER writes and teaches about Alexander the Great, ancient iconoclasm, and the representation of gender and power in the Mediterranean world. For her work, she has received fellowships from the National Endowment of the Humanities, the Getty Research Institute, and the Center for the Advanced Study of the Visual Arts. Her most recent book is Alexander at the End of the World: The Forgotten Final Years of Alexander the Great (HarperCollins 2024). She’s also published articles in Art Bulletin, American Journal of Archaeology, and Res: Archaeology and Aesthetics as well as two books with Cambridge University Press. Rachel is currently the chair of the Classics Program at the Graduate Center, City University of New York and a professor of ancient art and archaeology at Brooklyn College. She has a B.A. in Classics and Art History from Yale University and a Ph.D. in Classical Art and Archaeology from New York University’s Institute of Fine Arts. Photo by Nikos Vlachos on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • September 8 · 43 min

    Peter Ho Davies: Writing About Loved Ones

    Today, I’m talking to Peter Ho Davies about the difficult task of writing about your loved ones. He struggled with this both in his recent novel and in the memoiristic frame he created for his book The Art of Revision. And he’s still struggling with it with his new work-in-progress. What advice does he have for us to get through it? Watch a recording here. This audio/video version is available for one month. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Ho’s latest book as well as many other books by our authors, visit our Bookshop page. Peter Ho Davies’ most recent books are the novel A Lie Someone Told You About Yourself, a New York Times Notable Book of the Year, and The Art of Revision: The Last Word, his first work of non-fiction. Other books include the novels, The Fortunes, winner of the Anisfield-Wolf Award; The Welsh Girl, long-listed for the Booker Prize, and a London Times bestseller; as well as two critically acclaimed collections of short stories. A recipient of the PEN/Malamud and PEN/Macmillan awards, his fiction has appeared in Harpers, The Atlantic, The Paris Review and Granta and been anthologized in O. Henry Prize Stories and Best American Short Stories. Born in Britain to Welsh and Chinese parents, he currently directs the Helen Zell MFA Program at the University of Michigan. Photo by Sandy Millar on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • March 24 · 33 min

    Kelly J. Ford: Finding Your Genre & Not Giving Up

    Kelly J. Ford returns to the 7am Novelist to talk project management, finding your genre, and not giving up. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Ford’s latest book as well as many other books by our authors, visit our Bookshop page. Kelly J. Ford is the Anthony-nominated author of Real Bad Things; Cottonmouths, a Los Angeles Review Best Book of 2017; and The Hunt. An Arkansas native, Kelly writes crime fiction set in the Ozarks and Arkansas River Valley. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • March 17 · 47 min

    Patricia Park & Desmond Hall: Investing in Your Writing Career

    Today, fabulous fiction duo Patricia Park and Desmond Hall talk about how writing is like exercise, how to invest in your writing career, and the importance of finding a great teacher and writing community. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Park and Hall’s latest book as well as many other books by our authors, visit our Bookshop page. Desmond Hall is the author of two award-winning YA novels, including most recently Better Must Come, which was a top ten In the Margins book pick, CariCon Award for best Caribbean YA novel, and won honors for the Massachusetts Book Award. Patricia Park is the author of The New York Times Book Review Editors’ Choice Re Jane, a Jane Eyre retelling; Imposter Syndrome, a Gotham Book Prize finalist; and most recently, What’s Eating Jackie Oh? Photo by Fitsum Admasu on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • March 10 · 30 min

    Annie Hartnett & Tessa Fontaine On Accountability

    Tessa Fontaine and Annie Hartnett return to talk about accountability (and their new writing retreat). I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Fontaine and Hartnett’s latest books as well as many other books by our authors, visit our Bookshop page. Tessa Fontaine is the author of THE ELECTRIC WOMAN: A MEMOIR IN DEATH-DEFYING ACTS, a New York Times Editors’ Choice, Barnes & Noble Discover Great New Writers pick, and best book of 2018 by Southern Living, Refinery29, Amazon Editors’, and The New York Post. THE RED GROVE, her first novel, was a best book of May from Amazon and People Magazine, and long listed for the Center for Fiction First Novel Prize. Raised outside San Francisco, Tessa is part of the MFA faculty of the Warren Wilson program. She lives in Asheville, North Carolina, with her daughter, goofy dog and sassy cat. Annie Hartnett is the award-winning author of three novels: Rabbit Cake, Unlikely Animals, and the national bestseller The Road to Tender Hearts, which won the 2025 New England Book Award for fiction. She lives in Massachusetts with her husband Drew, daughter Leora, and a border collie named Willie Nelson. Photo by Tanya Barrow on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • March 3 · 21 min

    AE Osworth: Revisiting Joy Writing

    Today, I’m happy to be talk again with AE Osworth as we revisit the concept of Joy-Writing since their publication of their latest novel, AWAKENED. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Osworth’s latest book as well as many other books by our authors, visit our Bookshop page. A.E. Osworth is a transgender novelist. Their debut, WE ARE WATCHING ELIZA BRIGHT, was a finalist for the Oregon Book Award and was long-listed for The Center for Fiction’s First Novel Prize, the Brooklyn Public Library Literary Prize, and The Tournament of Books. Their latest book, AWAKENED, was a USA Today Bestseller and received starred reviews from Library Journal and Kirkus. They are a lecturer at the University of British Columbia’s School of Creative Writing where they teach fiction, interactive fiction, and new media. They research the intersection of creative writing and artificial intelligence with their research collective, called Artificial Intelligence Does Not Exist and they are currently undertaking a project on Undisciplined Art Practices with philosopher Carrie Jenkins. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • February 24 · 41 min

    Crystal King: Tackling the Speculative (& the ornery issue of technology too)

    Today, I finally get a chance to talk to Crystal King whose latest novel, THE HAPPINESS COLLECTOR, was released in December. We’re talking about how a writer might transition into using speculative elements in their fiction—something a lot of authors are playing with right now—as well as the thorny issue of technology, not only how to handle it, but how to make sure it doesn’t squash any mystery you’re trying to create. Watch a recording here. This audio/video version is available for a few weeks. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find King’s latest book as well as many other books by our authors, visit our Bookshop page. Crystal King is the author of IN THE GARDEN OF MONSTERS, which was a MassBook Must Read, THE CHEF’S SECRET, and FEAST OF SORROW, which was long-listed for the Center for Fiction’s First Novel Prize and was also a MassBook Must Read. Her latest is THE HAPPINESS COLLECTOR, is an Amazon best fantasy pick. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at several universities including Harvard Extension School and Boston University, as well as at GrubStreet, one of the leading creative writing centers in the US. A Pushcart Prize–nominated poet and former co-editor of the online literary arts journal Plum Ruby Review, Crystal received her MA in critical and creative thinking from UMass Boston, where she developed a series of exercises and writing prompts to help fiction writers in medias res. She resides in Boston. Photo by Edu Lauton on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • February 17 · 37 min

    Rosie Sulton & Barbara Best: Peer Coaching for Writers

    Today, I’m talking to Rosie Sulton & Barbara Best, directors of a new initiative called Peer Coaching for Writers. Watch a recording here. This audio/video version is available for a few weeks. Missed it? Check out the podcast version above or on your favorite podcast platform. For more info, go here. Or email Rosie and Barbara directly: rosie@convu.com / barbara@convu.com I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find books by our authors, visit our Bookshop page. Rosie Sultan is an award-winning novelist, educator, and founder of Peer Coaching for Writers & Artists. Trained through the Harvard University Peer Coaching Initiative, where she served as Principal, facilitator, coach, and coachee, she brings evidence-based listening practices to creative communities. Unlike traditional workshops focused on critique, peer coaching asks: What’s challenging in your writing life? What’s getting in the way? Through presence and deep listening, writers turn isolation into connection and sustain creative momentum together. Rosie is the author of Helen Keller in Love (Viking/Penguin), praised by The Washington Post. Her essays appear in The New York Times and elsewhere. She helps writers discover that the bravest work comes when we feel supported, not judged. Barbara Best is Executive Director of Convu—where listening happens—and a trained peer coaching facilitator using Harvard University’s peer coaching methodology. Her participation in a Harvard-based peer coaching program deepened her understanding of how structured peer support cultivates dialogue and leadership development. Barbara is a key collaborator in bringing peer coaching to writers. She leads a vibrant community at Convu centered on deep listening and peer coaching across schools, workplaces, and organizations. Previously Executive Director of the Harvard Kennedy School Center for Public Leadership and Texas Executive Director of the Children’s Defense Fund, Barbara holds an EdLD from Harvard and centers the transformative potential of peer relationships in all her work. Photo by Danilo Acosta on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • February 10 · 37 min

    Elizabeth Searle: Reverse Engineering for the Script Curious

    Today, I’m talking to Elizabeth Searle, author most recently of the story collection: THE DRAMA ROOM: A Collection in Three Acts. We’re going to be talking about how her scriptwriting has helped her fiction and vice versa, for any of you who might be “script curious.” Watch a recording here. This audio/video version is available for one week. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Searle’s latest book as well as many other books by our authors, visit our Bookshop page. Elizabeth Searle is the author of six books of fiction. Her new short story collection—THE DRAMA ROOM: A Collection in Three Acts—was released in the fall of 2025. Her previous books include CELEBRITIES IN DISGRACE, produced as a short film, and A FOUR-SIDED BED, a finalist for an ALA award and in development as a feature film. Over 30 of Elizabeth’s short stories have been published in magazines such as Ploughshares, New England Review, Kenyon Review, AGNI and Solstice. Elizabeth is the playwright of Tonya & Nancy: The Rock Opera, and co-writer of the feature film I’LL SHOW YOU MINE (2023; Duplass Brothers Productions). Her film was released in select theaters and is now widely available on home screens. Both her film and her rock opera have drawn national media attention. Photo by Anastasia Zhenina on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • February 3 · 34 min

    Charlene Wang: Curing a Passive Protagonist

    Today, I’m talking to Charlene Wang, whose debut novel, I’LL FOLLOW YOU, was released in October. We’re going to be talking about how she woke up her passive protagonist by paying attention to the tactile and—simply or not simply—giving her character “something to do with her hands.” Watch a recording here. This audio/video version is available for one week. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Wang’s book as well as many other books by our authors, visit our Bookshop page. Charlene Wang was born in Beijing and, after immigrating to the US when she was three, has lived in seven different cities from Los Angeles to Pittsburgh to Biloxi. Graduating with a B.A. in English from Dartmouth College and a J.D. from University of Virginia School of Law, she worked as a litigator for six years before quitting to pursue her childhood dream of becoming an author. She now lives in Brooklyn, NY, with her fiancé and their dog Winky. Photo by Ilona Panych on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • January 27 · 38 min

    Sheri Joseph: The Life-Artifice Spectrum for Revision

    Today, I’m so happy to get the chance to talk again with Sheri Joseph. I’ve always been a fan of her work, and her latest, Angels at the Gate, is the kind of dark, academic mystery that also takes its time in digging into the realities of a certain kind of campus life. We’ll be talking about an idea she often teaches about at Georgia State University, and that is how revision is about pushing toward the center of what she calls the life-artifice spectrum. Watch a recording here. This audio/video version is available for a few weeks. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Joseph’s latest book as well as many other books by our authors, visit our Bookshop page. Looking for a writing community? Join our Facebook page. Sheri Joseph’s fourth book, ANGELS AT THE GATE, was published by Regal House in September. Of the book, the Atlanta Journal-Constitution wrote: “This deeply immersive coming-of-age serves up a compelling slice of dark academia that interrogates the complex ways gender roles intersect with class to impact privilege.” And Kevin Wilson called the book “mesmerizing… more than a campus novel, more than a mystery, more than a reflection on memory. It’s heartbreaking, joyful, and utterly unforgettable.” Her previous books are the novels WHERE YOU CAN FIND ME and STRAY, and a cycle of stories, BEAR ME SAFELY OVER. She has received a National Endowment for the Arts fellowship and the GrubStreet National Book Prize, as well as numerous residency fellowships including Yaddo and MacDowell. A resident of Atlanta, she teaches in the creative writing program of Georgia State University. Photo by Alexey Demidov on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • January 20 · 42 min

    Peter Orner: Saying Something Slowly

    Today, I’m excited to have acclaimed writer Peter Orner with us, author most recently of The Gossip Columnist’s Daughter. We’ll be talking about how he struggled with the structure and timeline of the book. It took him fourteen years. He explains that he was trying to say something slowly. We discuss exactly what that means and how to do it in a time when very little seems slow and it’s difficult to have the patience we need to let a story grow on the page. Watch a recording here. This audio/video version is available for one week. Missed it? Check out the podcast version above or on your favorite podcast platform. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Orner’s latest book as well as many other books by our authors, visit our Bookshop page. Looking for a writing community? Join our Facebook page. Born in Chicago, Peter Orner is the author of seven acclaimed books including Maggie Brown & Others, Love and Shame and Love, Esther Stories, finalist for the Pen/ Hemingway Award, and Am I Alone Here?, finalist for the National Book Critics Circle Award. His work has appeared in the New Yorker, the Paris Review, Best American Stories, and been awarded four Pushcart Prizes. A former Guggenheim fellow and recipient of the Rome Prize from the American Academy of Arts and Letters, Orner is chair of the English and Creative Writing Department at Dartmouth College. His latest, The Gossip Columnist’s Daughter, was recommended by the New York Times and was listed as one of the best books of the year by the New Yorker, The Chicago Tribune, and many more/ He lives with his family in Vermont, where he’s also a volunteer firefighter. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • January 13 · 38 min

    Kristin Vukovic & Jo Piazza: The Complexities of Place

    Today, I’m talking to Kristin Vukovic and Jo Piazza, who are co-instructors of the Adriatic Writers Conference that takes place on the island of Lošinj in Croatia’s Kvarner Bay. Jo finished her most recent novel during the conference, titled THE PARISIAN HEIST which will be released on Bastille Day, and Kristin, who founded the conference, got her inspiration there for her debut, THE CHEESEMAKER’S DAUGHTER. We’ll be talking about the importance of setting in fiction and how to navigate a country’s complex history if your reader might not share it. Watch a recording here. This audio/video version is available for one week. Missed it? Check out the podcast version above or on your favorite podcast platform. Join us for Kristin’s reading at Belmont Books, January 15. And for more info about the Adriatic Writer’s Conference, click here. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. To find Vukovic’s and Piazza’s latest books as well as many other books by our authors, visit our Bookshop page. Kristin Vuković’s award-winning debut novel, THE CHEESEMAKER’S DAUGHTER, was published in August 2024. She is the founder of Adriatic Writers Conference—the first literary conference of its kind in Croatia—and has written travel and lifestyle articles for the New York Times, BBC Travel, Travel + Leisure, Virtuoso, Robb Report, AFAR, Fodor’s, and Public Books, among others. She received the 2024 Rising Star Award in Arts and Culture from the Association of Croatian American Professionals, and two Golden Pen awards for her writing about Croatia from the Croatian National Tourist Board, most recently in May 2024. She was also named a “40 Under 40” honoree by the National Federation of Croatian Americans Cultural Foundation. She holds a BA and MFA from Columbia University and lives in New York City with her husband and daughter. Jo Piazza is a bestselling author, journalist, and podcast host whose work explores ambition, identity, and modern womanhood. She is the creator and host of the acclaimed podcast Under the Influence, which examines influencer culture, media, and how the internet shapes our ideas about success, beauty, and belonging. Jo is the author of multiple bestselling books, including Everyone Is Lying to You, The Sicilian Inheritance, Charlotte Walsh Likes to Win, and How to Be Married, blending sharp cultural insight with propulsive storytelling. Her writing has appeared in The New York Times, The Wall Street Journal, New York Magazine, Elle, and more. Photo by Kat von Wood on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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  • January 6 · 54 min

    Roundtable: Can Climate Fiction Move the Needle?

    Today our roundtable focuses on Climate Fiction: What is it? Why do authors write it? What role does it have in today’s literature, in our environment, in the way writers and others see the world? We’ll discuss these questions and a whole lot more with our authors: Ash Davidson, author of Damnation Spring; Wren James, creator of The Climate-Conscious Writers Handbook and founder of the Climate Fiction Writers League; Emma Pattee, a climate journalist, author of Tilt, and the person who coined the term “Climate Shadow”; Tim Weed, author of The Afterlife Project, a finalist for Prism Prize in Climate Literature; and Kate Woodworth, author of Little Great Island and creator of the grassroots climate change initiative, Be the Butterfly. Watch a recording here. This audio/video version is available for only a few weeks. Missed it? Check out the podcast version above or on your favorite podcast platform. Important Links: Climate Fiction Writers League Substack and Handbook landing page. Database of Climate Fiction writers. Wren James’ Green Rising. Kate Woodworth’s Be the Butterfly initiative. To find our roundtable authors’ latest book as well as many other books by our guests, visit our Bookshop page. I don’t charge for subscriptions, but if you’d like, you can support my work with with a small donation here. Looking for a writing community? Join our Facebook page. Ash Davidson is the author of the nationally bestselling novel Damnation Spring, which was named a best book of the year by the Los Angeles Times, Newsweek and Amazon and was a New York Times Editor’s Choice and a Washington Post notable book. A graduate of the Iowa Writers’ Workshop, her work has been supported by the Arizona Commission on the Arts, MacDowell, and the National Endowment for the Arts. She lives in Flagstaff, Arizona. Wren James is the award-winning British author of many young adult novels, including a speculative novel about climate change, Green Rising. They are the founder of the Climate Fiction Writers League, the creator of The Climate-Conscious Writers Handbook and the editor of Future Hopes Hopeful stories in a time of climate change. They are on the Society of Authors’ Sustainability Steering Committee and work as a consultant on climate storytelling with a focus on optimism and hope for museums, production companies, and major brands and publishers. Their books have sold more than 200,000 copies in eight languages. Emma Pattee is a climate journalist and a fiction writer. She has written about the climate crisis for The Atlantic, The New York Times, The Washington Post, The Guardian, and more. In 2021, she coined the term “Climate Shadow” to describe an individual’s potential impact on climate change. Her debut novel, Tilt, is a national bestseller, a New York Times Book Review’s Editors’ choice, and was named a best book of the year by TIME, NPR, Vogue and Scientific American. Emma lives in Oregon with her two children. Tim Weed is the author of four books of fiction. His most recent novel, The Afterlife Project, was a Library Journal Best Books of 2025 pick and a New Scientist Best New Science Fiction Book of the Month choice. His essays and articles have appeared in numerous journals including Writers Digest and The Writer’s Chronicle. A member of the core faculty of the Newport MFA in Creative Writing, Tim is a former featured expert for National Geographic Expeditions. Kate Woodworth is the award-winning author of Little Great Island, a novel about a small Maine island community needing to find a new way forward after the lobster fishery collapses due to climate change. She is also the creative force behind the grassroots climate change initiative, Be the Butterfly, that invites everyone to perform one small act or behavioral change to help mitigate climate change. Kate’s first novel, Racing into the Dark, about a family reeling from the impact of a sister’s mental illness, will be re-issued in April, 2026. After 30 years living in Salt Lake City, Kate returned to the Boston area in 2005. Photo by Bernd 📷 Dittrich on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

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