
The Importance of Manual Sketching in Practice - Part 1
Send us Fan Mail Part 1 - Continuing the conversation on manual sketching in practice. Whatever you do in architecture school, you are preparing for a fast-paced industry where deadlines serve financial goals — and where sketching has quietly become an undervalued skill. What gets lost with it is the architect: the intuition, the authorship, the sense of a building made by someone rather than generated by software. Grant Harris of HB Architecture puts it well across two recent pieces. Drawing, he says, is not about presentation. It is a way of thinking, of testing, of discovering relationships before they are fixed. Then there is Juhani Pallasmaa's The Thinking Hand, which sharpens the point considerably. A mature designer drawing is not looking at the lines — they are occupying the structure those lines represent, touching its surfaces, sensing its materials. That intimacy is what a computer struggles to simulate. It clarified something I used to say to students long before digital tools arrived: you're not a graphic designer, you're an architect. If you are not inside the space while you draw it, you are producing illustration, not architecture. And Glenn Murcutt's line holds the whole thing together: my role is not that of a creator, but of a discoverer. © 2026 Talk Architecture, Author: Naziaty Mohd Yaacob. Image: Still from Aminuddin Zakaria's Instagram. Support the show Do subscribe for premium content and special features which will help to support and sustain Talk Architecture podcast on a more in-depth explanation on design thesis and processes. These special commentaries and ‘how to’ explanations are valuable insights and knowledge not found elsewhere!











