S4 · E1
Tuesday · 1 hr 22 min
81. Creative Momentum and Obstacles As The Path
Send us a message. We spend this episode bouncing between a barn in Malvern, Iowa and the question of where creative work actually comes from. It opens with the story of an 8x10 view camera pulled down from a stranger's rafters and handed over for free, then moves into what's been driving a recent stretch of creative momentum: too many scripts, a short film, a software project, and the discovery that having several unrelated things going at once beats grinding on one. From there we get into the harder question: how do you take a photograph, write a scene, or make anything that doesn't just repeat something you've already seen online. We talk about pink-door photo clichés, Kubrick's early films, Basquiat working with the radio and television on in the background, and why Adam Sandler's comedies read differently once you know where they came from. That turns into a longer argument about genre dissolving, the sheer volume of culture now available compared to a bassist learning ragtime off a handful of records in the 1980s, and whether that flood helps or drowns out a personal voice. We close on the physical stuff: CRTs selling for triple what we paid for them, a customer building a VHS wall, and Brian Eno's Oblique Strategies cards as a way to get unstuck. There's also a detour into Apple tech-support logic and why the simplest fix is usually the right one to try first. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E26
September 1 · 59 min
80. What Happens To Your Ideas When Algorithms Leave?
Send us a message. madebyalex.online Last episode of "season" 3! We start with a Squarespace redesign that's been sitting untouched for over a year and end up on the case for building a site from scratch. Alex walks through his history with web design, from MySpace CSS to Adobe Portfolio to a few hundred dollars a year for templates that never did what he wanted, and what changed once LLMs made a custom build possible for someone who isn't a developer. From there we get into the IndieWeb, Neocities, owning your distribution, and the thousand-true-fans idea. We talk about deleting Facebook, Reddit, and Twitter, why Instagram and YouTube stay on as the only two funnels for now, and what happens to your creative range when everything you encounter comes through a recommendation engine. That turns into effective creative entropy, a term Alex coins mid-conversation, and a deck-of-cards argument about the odds of getting to an original idea. We finish on what's actually being built: print layouts for every story and essay, marginalia, contact sheets, a guest-curated gallery that rotates every couple of weeks, postcards and a newspaper at cost. Also what's left out on purpose. No SEO, no paid ads, no Google Analytics, no Google-hosted fonts, no metadata on the photos, and AI crawlers blocked. The site is a place to visit and leave, not a place to get stuck. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E25
August 18 · 1 hr
79. We've Been Sold Enough Chairs - Thoughts on The Future of Ai
Send us a message. We spend this one disagreeing about what a computer is going to be in ten years. One of us thinks the mouse and keyboard have run their course, and that whoever ships a voice-first operating system with screens spread through the house does to personal computing what the iPhone did to phones. The other thinks the appetite for that shift is gone, that people are worn out from being sold the next thing, and that whatever arrives will be software every company can copy rather than hardware anyone can corner. Getting there, we cover the steps OpenAI puts between you and your own exported memory, why switching costs keep collapsing, what it means that someone's $20,000-a-month dashboard shows up as a power bill in somebody else's house, and the Seinfeld episode where George gets the department store security guard a chair. The chair turns out to be the argument underneath everything else. Every fix introduces the next problem, the simple version of a product exists to prove its value, and the complicated version is where the money is. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E24
August 4 · 1 hr 17 min
78. Waiting to Talk - Conversational Narcissism, the Ego Myth, and Reading a Room
Send us a message. We open by talking about the show: why we want to own our own platform instead of relying on YouTube, and what we'd want out of having guests on. Neither of us wants to do the standard interview where someone walks through their résumé. We're more interested in how a person thinks over the course of a long conversation than in the story they've prepared to tell about themselves. That leads into a conversation about friendship and how hard it is to stay in touch as an adult, especially when the work you do doesn't have set hours. We both notice that our closest friendships are the ones with a shared project attached. Matt brings up an idea he came across recently: in any conversation, people are either listening or waiting to talk. We use that to get into conversational narcissism, the reasons we ask each other questions, and whether it's possible to get rid of your ego or if the better goal is learning to work with it. The second half gets into restaurants. Servers who interrupt at the wrong moment, servers who never come by, and reservation systems that try to manage how long a table stays. It's the same question in a different setting: figuring out what someone actually wants from you. We also talk about how texting has changed the way we communicate in person, and finish with an update on the photo walks and our gallery idea. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E23
July 21 · 1 hr 11 min
77. The Camera Opens Doors
Send us a message. We start with a chance encounter. A stop to photograph an old Dodge pickup and a chain-net basketball hoop turns into an afternoon inside a stranger's garage, looking at restored Mavericks and pulling vintage car t-shirts out of a rag drawer. From there we get into what a camera actually does when you carry one everywhere: it gives you a reason to stop, talk to people, and end up somewhere you never planned to be. We talk about portraiture, about the woman who cried handing over a Nirvana shirt she'd kept for twenty years, and why one photograph from a whole day spent with someone beats a hundred quick frames. The second half turns on a prompt about quitting, and we land in different places on it. One of us reads walking away as evolution; the other keeps circling a line from Mad Men about only liking the beginning of things. That pulls us into screenwriting: the years of writing five pages a day in an LA apartment, imposter syndrome in studio meetings, a script that went out wide and didn't sell, and the decision to leave. We get into the difference between working and waiting, killing the small "bad problems" so there's room for the good ones, and whether you make art out of ego or out of a plainer need to communicate. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E22
July 7 · 1 hr 12 min
76. Matt Went to the Movies
Send us a message. We start with a night at the movies and end up talking about why some art grabs you and some doesn't. What makes a theater different from a screen at home, why certain films only land years later, and how much of the experience is the room you're in versus the thing you're watching. From there we get into horror and what it does that other genres can't, how a story changes once your own life catches up to it, and why unfinished work feels so exposed. Mostly it's the usual: two people following a thread about how art gets made and why it sticks. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E21
June 23 · 42 min
75. Leave Room for the Accident
Send us a message. We open on what a trip does to you once you're home. Time away, then the return, where the familiar looks sharper and the work feels urgent again. That sets up the thread running through the whole episode: the difference between a trip planned down to the hour and one you make up as you go, and why the unplanned kind tends to leave the stronger memory. No itinerary, no booked room, just landing somewhere and letting it unfold. From there we get into friction: the small obstacles we put in our own way to avoid doing the things we actually want to do, and how clearing them is most of the work. That carries into gear. The pull to bring everything, the freedom of bringing almost nothing, and the old principle that a fraction of your tools does most of the lifting. What sits in front of the camera matters more than what's in the bag. The back half settles on one question: when does skill start working against the work? Too controlled, too finished, no room for the accident that makes a thing feel alive. We talk about how constraints, small budgets and short schedules, can produce better work than freedom does, and why mastery alone isn't the whole story. If it were, the most experienced would always make the best thing, and they don't. We close on keeping expectations small enough to leave room for chance, plus a sweet interruption from home. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E20
June 9 · 1 hr 15 min
74. Proof of Work or How the Floor Gets Raised
Send us a message. We open with Daniel Arnold's new book You Are What You Do from Loose Joints — the sequencing, the blank pages, the editor's role — and end up on a harder question: what happens when you spend a decade on something and the first question someone asks is "what's next?" We talk through Josh Safdie's account of finishing Uncut Gems and why that question lands like an insult, and whether there's also something honest, even useful, about just moving on. That leads into the photo walk question: can you actually make work when you're with other people, or is this a medium that demands solitude? We use it as a way into what we think is genuinely missing from the Omaha creative scene — not talent, but the kind of competitive pressure that only comes from being around people operating at a high level and taking it seriously. We draw a line between community (people talking about ideas) and scene (people making work and raising the floor for each other). We also get into the difference between finding something valuable and making something from nothing, what it actually takes to own the label of photographer or writer without feeling like you're lying, and why "what's the point?" is the specific thought pattern that keeps you consuming instead of working. The answer, more or less: momentum is the point. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E19
May 26 · 1 hr 37 min
73. That's a Pretty Good Tree
Send us a message. Matt picks up a Cartier-Bresson book at the used bookstore and we read two passages from it — one on prowling the streets, one on primitivism and the hobbyist trap. The quotes pull us into a longer conversation about what it means to make work outside commercial pressure, and whether the thrill of hunting for things to sell has become a structural parallel to street photography: the finding, the deciding, the sharing. We don't fully settle it, but the overlap is hard to ignore. From there we move through John Ruskin's definition of great art — the greatest number of greatest ideas, received by the highest faculties — and Alex reads a passage from Swann's Way, the moment where music briefly restores Swan's belief that there's something worth devoting a life toward. We've talked around definitions of art on this show before, and this episode probably gets us closest to something we can actually use. The last third of the episode centers on an Italo Calvino essay called "The Written City: Inscriptions and Graffiti," written in 1980, which frames words on walls — whether graffiti, political signs, or advertising — as a form of aggression imposed on anyone who happens to walk by. We spend some time with the idea and push on it: what it exempts, where we agree, where it gets complicated, and what it says about the visual state of things fifty years later. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E18
May 12 · 1 hr 35 min
72. The Critic Problem: Why Great Art Resists Easy Explanations
Send us a message. We open with a letter — Rilke's first letter to a young poet, written in 1903 — and the question at the center of it: must I write? Not do I want to, not is it going well, but must I. We talk about what it means to look outward for reassurance while making something, how that search for validation reshapes work before it's even finished, and what happens when you're writing toward an external voice instead of your own. That leads us into a broader conversation about photography as a practice of finding things rather than making them — and what that distinction reveals about why certain work holds and other work doesn't. We walk through what it means to stand in front of a print by Eggleston or Crewdson or Deana Lawson, what a body of work asks of the people presenting it, and what gets lost when criticism becomes a form of signaling rather than a genuine attempt to see. We end somewhere near solitude: the argument that if you've found the thing you need to do, everything else is secondary — and that's been true since at least 1903. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E18
April 28 · 1 hr 19 min
71. What If Success Is The Unmeasurable Part?
Send us a message. We open with a 93-year-old woman who ran an oil pump valve repair business and a boutique until she was nearly 100, and what her life says about the post-WWII metrics we've organized our sense of security around — the 401k, the house, the college fund, the car in the driveway. We dig into EM Forster's observation that the novel is sogged with humanity, and what happens to a life when the humanity gets exercised out of it in favor of the spreadsheet. That leads us to a visit with a former fighter pilot and lawyer in Plattsmouth — a man with signed baseballs, original paintings, a wall of 14,000-foot summits, and no visitors. We talk about legacy anxiety, what it means when your life's work has nowhere to go, and why the things that actually give this sliver of time any quality are exactly the things that resist being measured. We end somewhere near the question AI keeps raising: why are you doing this in the first place, and what happens if the answer isn't good? -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E17
April 14 · 55 min
70. You Output What You Input
Send us a message. We spend a lot of time thinking about what we make, and not enough thinking about what we take in. What we listen to, what we read, what we let interrupt us, what we hand our attention to without really deciding to — all of it shapes the output, whether we're conscious of it or not. This episode starts there. From that we get into the systems designed to keep you feeding them — platforms, algorithms, companies that started with a mission and ended with an optimization — and what it actually costs to let those systems run in the background of your life unchecked. We're not against technology. We use it, depend on it, sometimes love it. But there's a difference between using a tool and being used by one. The thing we keep coming back to is friction. Not difficulty for its own sake, but the kind of slowdown that forces a real relationship with the thing you're doing. When you build something, fix something, choose something deliberately, you feel responsible for it. That responsibility is where the good stuff lives. What you put in dictates what comes out — and most of us aren't being honest about what we're putting in. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E16
March 31 · 1 hr 15 min
69. What If Your Best Work Needs Less Sharing
Send us a message. This week we got into something we'd been circling for a while: what happens to the work when the work and the content share the same camera, the same hours, the same brain. We used the image of food coloring dropped into water — once it's in, you can't pull it back out — and followed that wherever it went. Which turned out to be pretty far: the scarcity feeling that keeps you posting, the fantasy that a YouTube channel is a path to an artistic life, whether conflict and economic pressure are actually what fuel the thing rather than what threaten it. We also spent time with a more slippery question — what is it you're actually after, and have you looked at that honestly enough to know? We talked about photographers who worked monastically and ones who burned through marriages and health, about Vivian Maier nannying in obscurity, about whether patronage would free you or just kill the plant in a different way. And we kept landing on the same uncomfortable place: you can logic together a roadmap, but that's not what gets you anywhere. We closed on what we're calling is-ness — that quality in certain photographs where something just is, and you feel it, and there's no accounting for it. It's part of what drew us into this conversation in the first place. We didn't solve anything. But we got closer to knowing what we're actually asking. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E15
March 17 · 1 hr 6 min
68. Protect The Work At All Costs
Send us a message. We started this one talking about whether building a content ecosystem around photography risks turning the work into content, and how the pressure to produce on a content timeline can collapse the space that photographs actually need. When you're operating from scarcity, you grab the recognizable brand for cheap instead of holding out for the thing that represents what you're building. That tension between immediacy and long-term identity ran through most of the conversation, how we each relate to our own work. We spent a lot of time on taste and self-criticism. Matt talked about genuinely loving many of his photographs and wondering whether that's a kind of happy cluelessness or something closer to what Eggleston described when he said he loves all his pictures. We talked about the Winogrand documentary again, the thousands of undeveloped rolls, what it means that the act of shooting might have mattered more to him than the output, and how the art world commentary around his work sounds increasingly hollow on repeat viewings. That led into mimicry versus voice, and the moment content stops being performance and starts being the thing itself. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E14
March 3 · 1 hr 12 min
67. Leica Luck
Send us a message. More of a fun for us one here. What started as a pretty standard phone call turned into one of the most unexpected camera days we've had. Matt found a Leica M11 and Q2 listed on Facebook Marketplace by a woman selling her dad's collection to cover nursing care costs — and after some back-and-forth, both cameras came home with us. We talk through the full story, the legitimacy paranoia, trading a Zeiss 35mm for a 28mm viewfinder, the philosophy of owning things you actually use, and why paring down a collection can feel more intentional than building one. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E13
February 17 · 1 hr 5 min
66. Back to Square One
Send us a message. We catch up on the gallery space that didn't come together — not because of conflict, but because the arrangement shifted enough that the original vision no longer fit. What stings isn't the logistics, it's the built-in community that came with that particular spot, and the version of things we'd already started imagining. From there the conversation turns inward. We're both feeling the gap between talking about making work and actually making it — the pull to get back out with a camera, the fatigue of looking at old sequences, and what it means when commerce brain starts crowding out everything else. We end up somewhere around the question of what art even is — Tolstoy's definition, the transcendentalist framing, Rick Rubin and George Saunders on process — and whether finding your own answer to that matters more than finding the right one. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E12
February 3 · 57 min
65. Attempting A Low-Stakes Space For Photography And Conversation: PART 2
Send us a message. WE STILL HAVE NO NAME... We spend most of this episode wrestling with what to name our new gallery space. The conversation moves through dozens of possibilities—from "Synchronicity" to "Room" to "Keyframe"—trying to find something that isn't pretentious, that wears well over time, and that captures the intersection between a photography gallery, Josh's furniture showroom, and a functional creative space. We talk about Star Wars naming, city names, and why the best names feel obvious once you hear them. Beyond the naming problem, we dig into what this space actually needs to be. Not a stark white-wall gallery, not a packed vintage shop, but something in between—a place that feels lived-in and functional while still formally presenting work. We discuss projectors versus CRT TVs, lighting strategies, and how to arrange furniture so the space encourages conversation rather than commerce. The bigger goal emerges: creating a scene in Omaha for street photographers and creative people, a place comparable to Warhol's Factory or the Neistat brothers' studio—somewhere work gets made because there's a community constantly pushing each other. We talk about curation philosophy, the difference between selling objects and presenting a way of seeing, and building trust with an audience by being selective about what gets shown. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E11
January 20 · 49 min
64. Attempting A Low-Stakes Space For Photography And Conversation: PART 1
Send us a message. We talk through the unexpected opportunity to create a photography exhibition space in Omaha's Old Market. The conversation covers how a casual connection through vintage reselling led to subletting a space for three months—low financial risk, no formal contracts, just the chance to experiment. We discuss rejecting the traditional gallery model entirely: no price tags, no sales pressure, just a place for photographers to gather, show work, and build community. The episode explores the tension between excitement and anxiety that comes with actually doing something instead of just talking about it. We examine why this informal approach feels right—how the lack of commercial pressure creates freedom to experiment, try different exhibition ideas, and focus on creating experiences rather than moving product. The metaphysical alignment between collaborators, the value of physical gathering spaces, and standing at the threshold of something that could either fail quickly or turn into something unexpected. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E11
January 6 · 1 hr 21 min
63. Build The Foundation, Lose The Costume, Keep Your Soul
Send us a message. We sit down for our annual year-end conversation, reflecting on 2025 and mapping out intentions for 2026. The discussion moves between practical revenue planning and deeper questions about identity, authenticity, and what it means to build a creative life without losing yourself in the process. We explore the tension between chasing grandiose visions of success and learning to be present with who we actually are—people who source vintage records, make photographs, create videos, and build websites. The conversation touches on the difference between "playing the part" of a successful creator versus doing work that genuinely reflects our interests and values. We discuss building infrastructure: getting websites live, returning to photography, potentially publishing short stories, and establishing outlets for work that's been internal for too long. Both of us grapple with the pull of consumption and distraction versus the slower work of being present, disciplined, and engaged with the actual world. The episode ends on the idea of returning to being generalists rather than specialists—people with broad interests and connections across different areas of life, people who haven't traded their souls for narrow visions of achievement. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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S3 · E10
Dec 23, 2025 · 1 hr 9 min
62. What Do We Owe The Past When We Build With Its Pieces?
Send us a message. We stumble into uncomfortable territory when Matt shares a YouTube channel that initially captivated him—a series of video essays about art and commerce, aesthetically compelling and philosophically engaged. But when Alex identifies the footage as a filmmaker's documentary work, used without direct credit, we're forced to examine our own assumptions about appropriation, influence, and artistic honesty. What begins as a simple observation becomes a deeper interrogation: Is this reconstitution or appropriation? Branding or art? And why does it bother us so much when someone's work doesn't match the authenticity it preaches? We contrast this with examples of master filmmakers who dialogue with the past—borrowing a philosopher's cadence, recreating classic shots—in ways that feel transformative rather than extractive. The conversation spirals through our own creative missteps (using music as a crutch in early screenwriting), the finite game of protecting acquired cultural capital versus the infinite game of genuine artistic exchange, and the uncomfortable recognition that we all walk the line between inspiration and imitation. We try to avoid drawing hard rules while acknowledging that when your essay is about rejecting commerce, maybe your method shouldn't look like effective branding. We also examine the uncomfortable but inevitable gap between taste and skill. -Ai Support the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt’s YouTube Channel: https://geni.us/MatthewOBrienYT Matt’s 2nd Channel: https://geni.us/PhotoVideosYT Alex’s YouTube Channel: https://geni.us/AlexCarterYT Matt’s Instagram: https://geni.us/MatthewIG Alex’s Instagram: https://geni.us/AlexIG
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