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Barney Hoskyns, Jasper Murison-Bowie, William Pike

Tales from the world's largest archive of music journalism: entertaining interviews with luminaries such as Neil Tennant, Billy Bragg, Pamela Des Barres, Gary Kemp, Vashti Bunyan, Midge Ure, Nick Hornby and Robyn Hitchcock. Thoughtful and informative conversations about all aspects of popular music history, interspersed with clips from exclusive audio interviews that date back to the mid-'60s.

The RBP podcast is hosted by Barney Hoskyns and William Pike and co-hosted & produced by Jasper Murison-Bowie. We're a proud part of Pantheon — the podcast network for music lovers.

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  • 23 episodes
  • fortnightly
  • Avg 1 hr 15 min
  • English

Episodes 23

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  • #231
    July 20 · 47 min

    Episode 231: Geoffrey Cannon on the '60s + the Guardian + Jack Bruce audio

    In this episode we invite the pioneering Geoffrey Cannon to reminisce about his stint as The Guardian's rock critic between 1968 and 1972. Commencing with the pop baptism of his first hearing Frankie Lymon & the Teenagers in a Horsham record booth in 1956, our guest talks us through his early work for New Society and The Listener — including his prescient reviews of albums by the Velvet Underground and the Mothers of Invention. He also explains how the 1969 Granada film Johnny Cash at San Quentin came about. Geoffrey then recounts how he pitched a weekly rock column to Guardian editor Peter Preston, and how he sustained it from late 1968 until 1972 while simultaneously editing the Radio Times. Clips from the late Pete Makowski's 2008 audio interview with Jack Bruce give us a chance to discuss the origins of Cream, and how the relative innocence of the '60s collapsed into the druggy decadence of the '70s. The conversation with Geoffrey concludes with our guest's post-rock adventures in writing about health and nutrition, plus his 2000 uprooting to Brazil and subsequent love of singers such as Belchior and Caetano Veloso. Finally, William and Jasper talk us out with their thoughts on articles about Ornette Coleman (1969), Plastic Bertrand (1978), Jools Holland (2004) and James Blake (2025). Many thanks to special guest Geoffrey Cannon. Pieces discussed: Pop Music Democratised, Mother's Rites: Freak Out/Absolutely Free, Aesthetics of Outrage, Johnny Cash at San Quentin was my idea, Jack Bruce audio, Plastic Bertrand, Jools Holland, Second opinion: Ornette Coleman and James Blake is taking on TikTok, Live Nation and 'Free Music'.

  • #227
    May 11 · 1 hr 14 min

    E227: An LGBTQ special with Barry Walters + a Grace Jones audio interview

    For this episode we're joined all the way from San Francisco by Barry Walters to discuss his new history of LGBTQ music. And in our first recording since the retirement of Mark Pringle, William Pike becomes an official co-host of the RBP podcast... Barry reflects on his upbringing in Rochester, N.Y., his move to New York City, and his early writing for the Village Voice. We then hear about his years as pop critic for the San Francisco Examiner and the inspiration of gay disco icon Sylvester. Along the way our guest touches on some of the other artists he writes about in Mighty Real, including the Village People, k.d. lang and Grace Jones. We hear clips from Richard Cook's 1985 audio interview with the amazing Grace and discuss her unique contribution to LGBTQ culture. After William mentions a recently-added library piece about Ray Davies (1977), prompting a discussion of the Kinks' watershed hit 'Lola', Jasper talks us out with his thoughts on Kylie Minogue (2011) and his deep reverence for Spanish superstar Rosalía (from whose O2 show the previous evening he is still reeling...). Many thanks to special guest Barry Walters. Mighty Real: A History of LGBTQ Music, 1969–2000 is published by Viking and available now from all good bookshops. Visit Barry's website at barrywalterswriter.com. Pieces discussed: Grace Jones audio interview (1985), Ray Davies live at Queen Elizabeth Hall, Kylie Minogue: The Albums 2000–2010 and Rosalía: Lux.

  • #225
    March 30 · 1 hr 6 min

    E225: Adele Bertei on New York's No Wave scene

    In this episode we welcome back the marvellous Adele Bertei — five years after she first guested on our show — to talk about her amazing new book No New York. Beginning with a definition of the postpunk sub-genre "No Wave", the former Contortion recalls her experience of living in Manhattan's perilous East Village in the late '70s and playing organ behind the unhinged James Chance. She also pays tribute to the many fearless women who "shaped the scene", first and foremost the formidable Lydia Lunch. Our guest recalls working as a go-fer for Brian Eno and then being a crucial part of the No New York album the former Roxy Musician oversaw in 1978. We hear not just about Chance's Contortions and Lunch's Teenage Jesus & the Jerks but about Mars, DNA, the Bush Tetras and finally Adele's own funky feminist troupe the Bloods. After collective reflections on No Wave's slow dissolution — and Adele's subsequent '80s adventures with the likes of Thomas Dolby — Barney and Jasper rave about the week's featured artist Robyn and the week's featured audio, in which the late Chip Taylor reminisces about such classic hit songs as 'Wild Thing' and 'Try (Just a Little Bit Harder)'. Finally, Mark quotes appropriately from a 1978 Talking Heads interview and Jasper enjoys a Caroline Sullivan diss of Eminem's Marshall Mathers LP from 2000. Many thanks to special Adele Bertei. No New York: A Memoir of No Wave and the Women Who Shaped the Scene is published by Faber and available now. Pieces discussed: Nobody Waved Goodbye: Bands At Artists Space, Brian Eno's No New York compilation, Sons and Daughters of No New York: DNA, Robyn: Blonde Ambition, Robyn, Röyksopp: "There's This Idea That You're An Oddball, Far Up At The Top Of The World", Robyn: Brixton Academy, London, Chip Taylor audio, The Talking Heads sing more songs about buildings and food⁠, Eminem: The Marshall Mathers LP and It's no wonder Dylan didn't take the fight to Beijing — he was never very political.

Showing 1–20 of 23 episodes