Skip to content
Artwork for The Crit
The Crit · March 31 · 46 min

Simone Brewster

Simone Brewster, a designer, artist and educator, as well as the subject of the second Platform exhibition at London's Design Museum, joins The Crit to discuss finding a wider purpose behind her varied work, her attraction to answering the same questions in different ways, and the importance of language and representation in design. Simone's picks for her crit were: Best design: Negress & Mammy Worst design: Decorative plates for William Morris Gallery’s Althea McNish exhibition Most successful design: Temple of Relics pavilion Most impactful feedback: One of her architecture tutors saying that she needed to take herself seriously Dream design: Serpentine Gallery pavilion The Crit Graphics: Leonhard Rothmoser Music: Yuri Suzuki and Team Suzuki This episode of The Crit was recorded at KEF Music Gallery, London Hosted on Acast. See acast.com/privacy for more information.

0:00-46:08

transcript

No transcript — this publisher did not publish one.

show notes

Simone Brewster, a designer, artist and educator, as well as the subject of the second Platform exhibition at London's Design Museum, joins The Crit to discuss finding a wider purpose behind her varied work, her attraction to answering the same questions in different ways, and the importance of language and representation in design.


Simone's picks for her crit were:

Best design: Negress & Mammy

Worst design: Decorative plates for William Morris Gallery’s Althea McNish exhibition

Most successful design: Temple of Relics pavilion

Most impactful feedback: One of her architecture tutors saying that she needed to take herself seriously

Dream design: Serpentine Gallery pavilion


The Crit

Graphics: Leonhard Rothmoser


Music: Yuri Suzuki and Team Suzuki

This episode of The Crit was recorded at KEF Music Gallery, London


Hosted on Acast. See acast.com/privacy for more information.

links1

more episodes

All episodes