
14: Antony Gormley on using his own body as a printing plate and pushing the boundaries of printmaking
For the latest episode of our Making a Mark, we meet Antony Gormley (b. 1950) in his studio complex in London, amongst some of his new works on paper. For over fifty years Gormley has been exploring what it is to be in a body, inhabiting this earth. His new works include an enormous monoprint, over four metres wide, pressed by hand on the studio floor and life-size prints made by covering his body in a mixture of crude oil, linseed oil, and petroleum jelly before lowering himself on to large sheets of paper. Gormley discusses the extremely physical nature of making these works, their relation to his sculptural installations and pushing the boundaries of printmaking. We also hear from gallery founder and director Alan Cristea, who worked with Gormley on the artist's first print major print project over ten years ago. Presented by writer and critic, Charlotte Mullins. Artworks discussed in the episode can be viewed online via https://cristearoberts.com/podcast/ Photo: Antony Gormley at Warner Road Studios with ‘Aperture’ works, 2026. Courtesy artist and Cristea Roberts © Antony Gormley. Photo: Darrell Tuffs #antonygormley #contemporaryprintmaking #workonpaper #woodblock #woodcut #printstudio #makingamark #talkart #artpodcast












